indicates a closer affinity with the spirit of Ennius, than the moral and political indifference of the older dramatist. The aim of Ennius was to raise literature from being a mere popular recreation, and to bring it into accord with the higher mood of the nation; to use it as a medium both of elevation and enlightenment. In carrying out this aim he appealed to the temper and to the newly awakened interests of members of the aristocratic class, who were coming into close contact with educated Greeks, and were beginning to appreciate the treasures of art and literature now opened up to them. The career of Q. Fabius Pictor, the first historian of Rome, and the first who made a name for himself in painting, who lived at this time, attests this twofold attraction. The friendly relations which Roman generals, such as T. Quintius Flamininus, established with the famous Greek cities, in which they appeared as liberators rather than conquerors, were the result of intellectual enthusiasm as much as of a definite policy. With the wars of Pyrrhus and the capture of Tarentum, the first stage of the process described in the lines of Horace began[9]: the end of the Second Punic War was the second stage in the process. It is to this period, rather than to the progress of the war, that the words of the Grammarian, Porcius Licinus, most truly apply, Poenico bello secundo Musa pinnato gradu Intulit se bellicosam in Romuli gentem feram. The more frequent and closer contact with the mind of Greece not only refined the taste and enlarged the intelligence of those capable of feeling its influence, but produced at the same time a change in men's deepest convictions. Though the definite tenets of Stoicism and Epicureanism did not acquire ascendency till a later time, the dissolving force of Greek speculative thought and Greek views of life forced its way into Rome through various channels,--especially through the adaptations of the tragedies of Euripides and of the comedy of Menander. All these tendencies of the time acted on Ennius, stimulating his mental activity in various directions. His natural temperament and his acquired culture brought him into harmony with the spirit of his age without raising him too much above it. A poet of more delicacy of taste and perfection of execution would have been unintelligible to his contemporaries. A more systematic thinker would have been out of harmony with the conditions of life by which he was surrounded. Breadth, vigour, a spirit clinging to what was most vital in the old state of things, and yet readily adapting itself to what was new, were the qualities needed to establish a literature true to the genius of Rome in the second century B.C., and containing the promise of the more perfect accomplishment of a later age. And these qualities belonged to Ennius by natural gifts and the experience and culture of his earlier years.