The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
The standard-bearers followed, bearing on high the golden staff of their
ensigns, which represented mystic baris, sacred hawks, heads of Hathor
surmounted by ostrich-plumes, winged ibex, cartouches bearing the king's
name, crocodiles, and other warlike or religious symbols. Long white
streamers spotted with black spots were tied to these standards, and
fluttered gracefully on the march.
At the sight of the standards which announced the arrival of the
Pharaoh, the deputations of priests and notables stretched out their
hands in supplication towards him, or let them fall on their knees, the
palms turned up. Some even prostrated themselves, their knees close to
the body, their faces in the dust, in an attitude of absolute submission
and deep adoration, while the spectators waved great palm-branches.
A herald or reader, holding in his hand a roll covered with hieroglyphic
signs, marched along between the standard-bearers and the
incense-burners, who preceded the king's litter. He shouted, in a loud
voice as sonorous as a brazen trumpet, the victories of the Pharaoh; he
related the fortunes of the Pharaoh's battles, announced the number of
captives and of war chariots taken from the enemy, the amount of the
booty, the measures of gold-dust, the elephants' tusks, the
ostrich-plumes, the quantities of balsamic gum, the giraffes, lions,
panthers, and other rare animals. He named the barbaric chiefs who had
been slain by the javelins of His Majesty the Almighty Aroeris,
favourite of the gods. At each proclamation the people uttered a mighty
shout, and from the top of the revetment banks threw down upon the
conqueror's pathway long, green palm-branches.
At last the Pharaoh appeared. Priests, who turned and faced him at
regular intervals, swung their censers, after having cast incense upon
the coals lighted in a little bronze cup which was held by a hand at the
end of a sort of sceptre topped by a sacred animal's head. They marched
respectfully backwards while the scented blue smoke rose to the nostrils
of the triumphant sovereign, apparently as indifferent to these honours
as if he were a god of bronze or basalt.
Twelve oeris, or military chiefs, their heads covered with a light
helmet surmounted by an ostrich-plume, bare to the belt, their loins
wrapped in a loin cloth of stiff folds, wearing their buckler hanging
from their belt, supported a sort of dais on which rested the throne of
the Pharaoh. This was a chair with feet and arms formed of lions, with a
high back provided with a cushion that fell over it, and adorned on its
sides with a network of rose and blue flowers. The feet, the arms, and
the edges of the throne were gilded, while brilliant colours filled the
places left empty. On either side of the litter four fan-bearers waved
huge feather fans, semicircular in form, carried at the end of long,
gilded handles. Two priests bore a huge cornucopia richly ornamented,
whence fell quantities of giant lotus-flowers.
Public-domain text, read in full here on John Shaqi.
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