The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5Gautier, Théophile
General
The Romance of a Mummy and Egypt: The Works of Theophile Gautier, Volume 5
Gautier, Théophile
Egypt -- Antiquities -- Fiction; Egypt -- Description and travel
Each band numbered not less than two hundred men, but the storm of sound
produced by the bugles, drums, sistra, and tambourines, which would have
been deafening within the palace, was in no wise too loud or too
tremendous under the vast cupola of the heavens, in the centre of that
immense space, amid buzzing multitudes, at the head of an army which
baffles enumeration and which was advancing with the roar of great
waters. Besides, were eight hundred musicians too many to precede the
Pharaoh, beloved of Ammon Ra, represented by colossi of basalt and
granite sixty cubits high, whose name was written on the cartouches of
imperishable monuments, and whose story was carved and painted upon the
walls of the hypostyle halls, on the sides of pillars, in endless
_bassi-relievi_ and innumerable frescoes? Was it too much indeed for a
king who dragged a hundred conquered nations by their hair, and from the
height of his throne ruled the nations with his whip? For the living
Sun that flamed on dazzled eyes? For one who, save that he did not
possess eternal life, was a god?
Behind the music came the captive barbarians, strange to look at, with
bestial faces, black skins, woolly hair, as much like monkeys as men,
and dressed in the costume of their country,--a skirt just above the
hips held by a single brace, embroidered with ornaments in divers
colours. An ingenious cruelty had directed the binding together of the
prisoners. Some were bound by the elbows behind the back; others by
their hands raised above their head, in the most uncomfortable position;
others again had their wrists caught in stocks; others with their neck
in an iron collar or held by a rope which fastened a whole file of them,
with a loop for each victim. It seemed as if the object sought had been
to thwart as much as possible natural attitudes in the fettering of
these poor wretches, who marched before their conqueror awkwardly and
with difficulty, rolling their big eyes and twisting and writhing in
pain. Guards marched at their side, striking them with sticks to make
them keep time.
Next came, bowed with shame, exposed in their wretched, deformed nudity,
dark-complexioned women, with long hanging tresses, carrying their
children in a piece of stuff fastened around their brow,--a vile herd
intended for the meanest uses. Others, young, handsome and fairer, their
arms adorned with broad bracelets of ivory, their ears pulled down by
great metal discs, wrapped themselves in long, wide-sleeved tunics
embroidered around the neck and falling in fine, close folds down to
their ankles, on which rattled anklets,--poor girls, snatched from their
country, their parents, their lovers perhaps; yet they smiled through
their tears, for the power of beauty is boundless, strangeness gives
birth to caprice, and perhaps the royal favour awaited some of these
barbaric captives in the secret depths of the harem. Soldiers
accompanied them and kept the multitude from crowding upon them.
Public-domain text, read in full here on John Shaqi.
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