Meanwhile night had suddenly fallen, for there is no twilight in Egypt,--night, or rather a blue day, treading close upon the yellow day. In the azure of infinite transparency gleamed unnumbered stars, their twinkling light reflected confusedly in the waters of the Nile, which was stirred by the boats that brought back to the other shore the population of Thebes; and the last cohorts of the army were still tramping across the plain, like a gigantic serpent, when the barge landed Tahoser at the gate of her palace. IV The Pharaoh reached his palace, situated a short distance from the parade ground on the left bank of the Nile. In the bluish transparency of the night the mighty edifice loomed more colossal still, and its huge outlines stood out with terrifying and sombre vigour against the purple background of the Libyan chain. The feeling of absolute power was conveyed by that mighty, immovable mass, upon which eternity itself could make no more impression than a drop of water on marble. A vast court surrounded by thick walls, adorned at their summits with deeply cut mouldings, lay in front of the palace. At the end of the court rose two high columns with palm-leaf capitals, marking the entrance to a second court. Behind these columns rose a giant pylon, consisting of two huge masses enclosing a monumental gate, intended rather for colossi of granite than for mere flesh and blood. Beyond these propylaea, and filling the end of a third court, the palace proper appeared in its formidable majesty. Two buildings projected squarely forward, like the bastions of a fortress, exhibiting on their faces low _bassi-relievi_ of vast size, which represented, in the consecrated manner, the victorious Pharaoh scourging his enemies and trampling them under foot; immense pages of history carved with a chisel on colossal stone books which the most distant posterity was yet to read. These buildings rose much higher than the pylons. The cornices, curving outwards and topped with great stones so arranged as to form battlements, showed superbly against the crest of the Libyan Mountains, which formed the background of the picture. The facade of the palace connected these buildings and filled up the whole of the intervening space. Above its giant gateway, flanked with sphinxes, showed three rows of square windows, through which streamed the light from the interior and which formed upon the dark wall a sort of luminous checker-board. From the first story projected balconies, supported by statues of crouching prisoners.