The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.Jameson, Mrs. (Anna)
General
The Romance of Biography (Vol 2 of 2): or Memoirs of Women Loved and Celebrated by Poets, from the Days of the Troubadours to the Present Age. 3rd ed. 2 Vols.
Jameson, Mrs. (Anna)
Women in literature
as alike unhappy and beloved, alludes to her recent widowhood. Costanza
Monti, who inherited no small portion of her fathers genius, and all her
mother's grace and beauty, married the Count Giulio Perticari of Pesaro,
a man of uncommon taste and talents, and an admired poet. He died in the
same year with Canova, to whom he had been a favourite friend and
companion: while his lovely wife furnished the sculptor with a model for
his ideal heads of vestals and poetesses. Those who saw the Countess
Perticari at Rome, such as she appeared seven or eight years ago, will
not easily forget her brilliant eyes, and yet more brilliant talents.
She, too, is a poetess. In her father's works may be found a little
canzone written by her about a year after the death of her husband, and
with equal tenderness and simplicity, alluding to her lonely state,
deprived of him who once encouraged and cultivated her talents, and
deserved her love.[94]
Vincenzo Monti died in October 1828:--his widow and his daughter reside,
I believe, at Milan.
FOOTNOTES:
[89] Worn by the young men who are intended for the Church.
[90] Barry Cornwall.
[91] Opere Varie v. iii. This sonnet to his wife was written when Monti
was ill at the house of his son-in-law, Count Perticari.
[92] Edit. 1826, vol. vi.
[93] In the original, Monti designates himself by an allusion to his
chef-d'oeuvre--"Del Cantor di Basville."
[94] Monti, Opere, vol. iii. p. 75.
CHAPTER XIII.
POETS AND BEAUTIES,
FROM CHARLES II. TO QUEEN ANNE.
Thus, then, it appears, that love, even the most ethereal and poetical,
does not always take flight "at sight of human ties;" and Pope wronged
the real delicacy of Heloise when he put this borrowed sentiment into
her epistle, making that conduct the result of perverted principle,
which, in _her_, was a sacrifice to extreme love and pride in its
object. It is not the mere idea of bondage which frightens away the
light-winged god;
The gentle bird feels no captivity
Within his cage, but sings and feeds his fill.[95]
It is when those bonds, which were first decreed in heaven
To keep two hearts together, which began
Their spring-time with one love,
are abused to vilest purposes:--to link together indissolubly,
unworthiness with desert, truth with falsehood, brutality with
gentleness; then indeed love is scared; his cage becomes a dungeon;--and
either he breaks away, with plumage all impaired,--or folds up his
many-coloured wings, and droops and dies.
Public-domain text, read in full here on John Shaqi.
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