The Romance of Madame Tussaud'sTussaud, John Theodore
History
The Romance of Madame Tussaud's
Tussaud, John Theodore
Madame Tussaud and Sons' Exhibition; Tussaud, Marie, 1761-1850; Waxworks
The Exhibition is, therefore, located in “The Great Assembly Room of the
late Royal London Bazaar, Gray’s Inn Road.” There it remained till early
in March, 1835, on the 21st of which month it removed to its quarters in
Baker Street.
[Illustration: INTERIOR OF THE EXHIBITION IN THE EARLY DAYS AT BAKER
STREET
From J. Mead’s “London Interiors,” published in 1842.]
As for the Assembly Room, it appears that on Tuesday, the 29th of March,
directly after Madame Tussaud left, it was put up for sale at the Mart by
the famous auctioneer, George Robins.
A lady, on viewing the Exhibition when it was in Gray’s Inn Road, wrote
the following excellent verses:
I stand amid a breathless throng,
Though animation’s light is here;
Expression, too, that might belong
To creatures of a nobler sphere;
Where’er I turn my dazzled view,
I marvel what Art’s hand can do!
Here are the lips, and cheeks, and eyes,
The folded hands--the beaming brow--
Those graces Nature’s self supplies--
All burst upon my vision now!
And is it _fiction_?--can it be
That these are not _reality_?
The eye, where centres Genius’ light;
The lips, where Eloquence presides;--
The cheek with Beauty’s roses bright;
The breast, where Passion darkly hides;
The Warrior’s pride, the Cynic’s sneer,
From Nature’s book are copied here!
_Painting_ her meed of praise may claim
From Fame’s proud trump or Minstrel’s lyre,
And around _sculpture’s_ gifted name
May burn the _poet’s_ words of fire;
But _Tussaud_! Both these arts divine
Must yield in _novelty_ to _thine_.
Thou bring’st before our wond’ring eyes,
Modell’d in truth, each gone-by scene
That Hist’ry’s varied page supplies;--
Here still _they_ flourish, fresh and green,
Defying Time’s oblivious power,
Who long have pass’d Life’s fitful hour.
Modern Prometheus! who can’st give,
Like him of old, to human form
All _but_ the life;--here _thou_ wilt live
And triumph o’er the “creeping worm”
That sullies all things--pale Decay!
_Thy features_ ne’er can pass away![2]
A nobler Trophy far is thine,
Than “storied urn,” by stranger hands,
Rear’d (in thy now adopted clime),
And higher reverence commands;
These forms--to which thine Art has lent
Life’s truth--shall be _thy monument_!
MRS. CORNWELL BARON-WILSON.
It is interesting to note that one of the first visitors to the
Exhibition in its settled home at Baker Street was the great Duke of
Wellington. He was there on Wednesday, the 26th of August, and after that
date was frequently to be seen walking through the rooms, his favourite
models being those of Queen Victoria and the dead Napoleon.
Public-domain text, read in full here on John Shaqi.
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