The Romance of War; or, The Highlanders in Spain, Volume 2 (of 3)Grant, James
General
The Romance of War; or, The Highlanders in Spain, Volume 2 (of 3)
Grant, James
Great Britain. Army. Gordon Highlanders -- Fiction; Peninsular War, 1807-1814 -- Fiction
"Steady the ladder, Evan Bean Iverach," cried Stuart. "Keep close by
me, and show yourself your father’s son. God aid our steel! Follow me,
soldiers,—forward!—Hurrah!" With his sword in his right hand, his
bonnet in his left, and his dark hair waving about his face, he ascended
the ladder fearlessly, and striking up the bayonets which bristled over
the parapet, leaped upon it, brandished his sword, miraculously escaping
the shower of shot which hailed around him. With dauntless bravery he
sprang from the parapet among them, and instantly the French gave way
before the irresistible stream of British troops who poured in upon
them, and a desperate struggle took place—short, bloody, but decisive.
"_Ah, mon Dieu! Raille—raille! soldats! Diable! Croisez la
baïonette!_" shouted D’Estouville frantickly,—setting his men the
example by throwing himself headlong on the bayonets of the
assailants,—but he was driven back, and his efforts were in vain; a
score of ladders had been placed against the glacis at other places, and
the works were stormed on almost every part at once. The defenders were
driven back, but fighting with true French bravery for every inch of
ground. The British assailed them with irresistible impetuosity,
bearing them backwards with the charged bayonet, the clubbed musquet,
the pike, and the sword. By the particular favour of Providence Ronald
escaped the dangers of the forlorn hope, while the soldiers who composed
his band were mown down like leaves in autumn; but while pressing
forward among the enemy, two powerful grenadiers of _les Gardes
Français_ rushed upon him with their levelled bayonets, putting him in
imminent peril. The pike of a serjeant of the 50th freed him of one
assailant, and closing with the other, he dashed his head against the
breech of a carronade, and passed his sword through the broad breast of
a third who came up to his rescue, and the warm blood poured over the
hand and blade of his conqueror, who now could scarcely keep his feet on
the wooden platform surrounding the inner side of the breast-work, which
was covered with blood and brains, and piled with dead and wounded—with
drums, dismounted cannon, and broken weapons. The scene which was now
presented, is far beyond my humble powers of description. The blaze of
cannon and musquetry from Ragusa, at the other end of the pontoon
bridge,—where the garrison fired at the risk of killing their
comrades,—glared on the glassy bosom of the Tagus, tinging it with that
red and golden colour so freely bestowed upon it by poets. But within
the inner talus of the breast-work and bloody platform, the scene would
have produced horror in one less excited than men contending hand to
hand, and who regarded honour rather than life.
Public-domain text, read in full here on John Shaqi.
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