The Romantic Adventures of a MilkmaidHardy, Thomas
General
The Romantic Adventures of a Milkmaid
Hardy, Thomas
Women agricultural laborers -- Fiction
A method of doing this with some propriety soon occurred to her. She
dared not ask her father, who scorned to waste time in sight-seeing, and
whose animosity towards Jim knew no abatement; but she might call on her
old acquaintance, Mr. Vine, Jim’s partner, who would probably be going
with the rest of the holiday-folk, and ask if she might accompany him in
his spring-trap. She had no sooner perceived the feasibility of this,
through her being at her grandmother’s, than she decided to meet with the
old man early the next morning.
In the meantime Jim and Mrs. Peach had walked slowly along the road
together, Jim leading the horse, and Mrs. Peach informing him that her
father, the gardener, was at Jim’s village further on, and that she had
come to meet him. Jim, for reasons of his own, was going to sleep at his
partner’s that night, and thus their route was the same. The shades of
eve closed in upon them as they walked, and by the time they reached the
lime-kiln, which it was necessary to pass to get to the village, it was
quite dark. Jim stopped at the kiln, to see if matters had progressed
rightly in his seven days’ absence, and Mrs. Peach, who stuck to him like
a teazle, stopped also, saying she would wait for her father there.
She held the horse while he ascended to the top of the kiln. Then
rejoining her, and not quite knowing what to do, he stood beside her
looking at the flames, which to-night burnt up brightly, shining a long
way into the dark air, even up to the ramparts of the earthwork above
them, and overhead into the bosoms of the clouds.
It was during this proceeding that a carriage, drawn by a pair of dark
horses, came along the turnpike road. The light of the kiln caused the
horses to swerve a little, and the occupant of the carriage looked out.
He saw the bluish, lightning-like flames from the limestone, rising from
the top of the furnace, and hard by the figures of Jim Hayward, the
widow, and the horse, standing out with spectral distinctness against the
mass of night behind. The scene wore the aspect of some unholy
assignation in Pandaemonium, and it was all the more impressive from the
fact that both Jim and the woman were quite unconscious of the striking
spectacle they presented. The gentleman in the carriage watched them
till he was borne out of sight.
Having seen to the kiln, Jim and the widow walked on again, and soon Mrs.
Peach’s father met them, and relieved Jim of the lady. When they had
parted, Jim, with an expiration not unlike a breath of relief; went on to
Mr. Vine’s, and, having put the horse into the stable, entered the house.
His partner was seated at the table, solacing himself after the labours
of the day by luxurious alternations between a long clay pipe and a mug
of perry.
‘Well,’ said Jim eagerly, ‘what’s the news—how do she take it?’
Public-domain text, read in full here on John Shaqi.
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