But, rigorously though he disciplined himself (a really splendid
dissimulation, which I who had known him so long had always watched
with envy), he could not help his inclinations showing in some
way--though in a way that reflected to his advantage as a figure, as
it would have reflected to Antony's if he hadn't been so foolish.
For they were shown in a manner, a certain air, which couldn't be
described but by the help of the word "romantic"--a not unpleasing word
to be used about one who has name, appearance, and ability. And he
was, even to me, a romantic kind of figure. There was nothing, well,
stationary about him, as there so often is about one's acquaintance;
in fact, more, there was definitely a sense of movement; one somehow
thought of him as a man who would always be going on to things, maybe
great things. His shadow will find in him an exciting companion, one
couldn't help thinking. Among one's acquaintance, each unit of whom
one knew to be travelling on a certain road to a more or less certain
end, Roger Poole stood out as a refreshing and unexpected person, a
kind of adventurer licensed by the world; an appearance clothed in
possibilities, whom it was interesting to know....
Besides, there was nothing silly nor banal about his good looks;
a thin, long face of such firm lines as to give an impression of
hardness, and noticeable, in an Englishman, because of its pallor;
attractive, too, because of a certain saturnine quality which seemed to
lurk about its expressions: an intangible _something_ that made one,
in talking to him, inquire within oneself a little fussily--a vastly
different state to that into which Red Antony's boisterous ill humour
had, in his hey-days, so frequently put one!
And so the discomfort of my position with regard to Antony allowed me
to stand in the wings, as it were, and watch the only game in this
world that is fairly played with "packed" cards; the two brothers, in
everything but age and name as far apart as favour can well be from
its opposite, at their love-making to a woman whom I loved as much as
they, perhaps more, but without that visible and reckless ardour that
will make a man's love at least significant to the most unloving woman.
I suppose that theatricalism, such as is not difficult to find in any
one's nature, may have tinged my view of the queer spectacle; but there
certainly was something very sad and pitiable about it all, and made
the more pitiable, too, by the inevitable course it must pursue--for
there is a certain logic to everything, be a woman ever so lovely and
remote. And Iris, for all her pride and looks, for all her tawny hair
and sometimes too distant eyes, had really as little to say in the
matter as Antony or I; for Roger Poole had a reputation to keep up, not
so much with the world as with himself, the reputation of a man who
always played in luck! Besides, luck or no luck, Iris had straightway
fallen in love with him.
Public-domain text, read in full here on John Shaqi.
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