It is a charming drive from Nant to Millau. Our road winds round the delicious little valley of the Dourbie, the river ever cerulean blue, bordered with hay-fields, in which lies the fragrant crop of autumn hay ready for carting. By the wayside are tall acacias, their green branches tasselled with dark purple pods, or apple trees, the ripening fruit within reach of our hands. Little Italian-like towns, surrounded by ochre-coloured walls, are terraced here and there on the rich burnt-amber walls, the limestone ridges above and around taking the form of a long line of rampart or lofty fortress, built and fashioned by human hands. In contrast to this savagery, we have ever and anon before our eyes the sweet little river, no sooner lost to sight amid willow-bordered banks than found again. Nervous people should avoid these drives, on account of the steep precipices, often within a few inches of the horses' heels. Wherever on the shelves of rock a few square yards of soil are found or can be laid, are tiny crops of buckwheat, potatoes, and beetroot. The weather has a southern warmth and brilliance, and in and out the burning-hot mountain wall on our left large beautiful brown lizards disport themselves. The road is very solitary. Till within the precincts of Millau, we meet only a few peasants and two Franciscan brothers. The approach to Millau is very pretty. Almond and peach orchards, vineyards and gardens, form a bright suburban belt. Two rivers, the Tarn and the Dourbie, water its pleasant valley, whilst over the town tower lofty rocks in the form of an amphitheatre. Nant may be described as a little idyll. After it Millau comes disenchantingly by comparison. Never was I in such a noisy, roystering, singing, lounging place. There was no special cause for hilarity; nothing was going on; the business of daily life seemed to be the making a noise. In spite of its pretty entourage, too, the town is not engaging. Its hot, ill-kept, malodorous streets do not call forth an exploring frame of mind. The public garden is, however, a delightful promenade, and the well-known photographer of these regions has his atelier in one of the most curious old houses to be seen anywhere. Climbing a narrow, winding stone stair, we come upon an open court, with balconies running round each story, carved stone pillars supporting these; oleanders and pomegranates in pots make the ledges bright, whilst above the gleaming white walls shines a sky of Oriental brilliance. The whole interior is animated. Here women sit at their glove-making, the principal industry of the place, children play, pet dogs and cats sun themselves; all is sunny, careless, southern life--a page out of 'Graziella.' There are several mediæval façades, and some curious old carved arcades also; much, indeed, that is sketch worthy, if our artists could be brought to deem anything worth sketching in France, out of Brittany and Normandy.