Machmout squatted himself comfortably in the corner, and I gave him the piece of black American cloth. As some minutes must elapse before he gets into the hypnotic state in which the visions begin, I strolled out on to the balcony for coolness. It was the hottest night we had yet had, and though the sun had set three hours, the thermometer still registered close on 100°. Above, the sky seemed veiled with grey, where it should have been dark velvety blue, and a fitful puffing wind from the south threatened three days of the sandy intolerable khamseen. A little way up the street to the left was a small café in front of which were glowing and waning little glowworm specks of light from the water pipes of Arabs sitting out there in the dark. From inside came the click of brass castanets in the hands of some dancing-girl, sounding sharp and precise against the wailing bagpipe music of the strings and pipes which accompany these movements which Arabs love and Europeans think so unpleasing. Eastwards the sky was paler and luminous, for the moon was imminently rising, and even as I looked the red rim of the enormous disc cut the line of the desert, and on the instant with a curious aptness, one of the Arabs outside the café broke out into that wonderful chant-- “I cannot sleep for longing for thee, O full moon Far is thy throne over Mecca, slip down, O beloved, to me.” Immediately afterwards I heard the piping monotone of Machmout’s voice begin, and in a moment or two I went inside. We have found that the experiments gave the quickest result by contact, a fact which confirmed Weston in his explanation of them by thought transference of some elaborate kind, which I confess I cannot understand. He was writing at a table in the window when I came in, but looked up. “Take his hand,” he said, “at present he is quite incoherent.” “Do you explain that?” I asked. “It is closely analogous, so Myers thinks, to talking in sleep. He has been saying something about a tomb. Do make a suggestion, and see if he gives it right. He is remarkably sensitive and he responds quicker to you than to me. Probably Abdul’s funeral suggested the tomb!” A sudden thought struck me. “Hush!” I said, “I want to listen.” Machmout’s head was thrown a little back, and he held the hand in which was the piece of cloth rather above his face. As usual he was talking very slowly, and in a high staccato voice, absolutely unlike his usual tones. “On one side of the grave,” he piped, “is a tamarisk tree, and the green beetles make _fantasia_ about it. On the other side is a mud wall. There are many other graves about, but they are all asleep. This is _the_ grave, because it is awake, and is moist and not sandy.” “I thought so,” said Weston, “It is Abdul’s grave he is talking about.” “There is a red moon sitting on the desert,” continued Machmout, “and it is now. There is the puffing of khamseen, and much dust coming. The moon is red with dust, and because it is low.”