The Room with the Little DoorMolineux, Roland Burnham
General
The Room with the Little Door
Molineux, Roland Burnham
Molineux, Roland Burnham; Prisoners -- New York (State) -- Biography; Prisons -- New York (State)
The keepers are watching me curiously. Their trained eyes are like
microscopes, through which they study and compare my conduct with that
of previous defendants whom they have guarded under similar
circumstances. They are calculating how long it will take for me to
break down and show nervousness. I think they have a bet on the subject.
It is irritating. If I should ask for a drink of water, they would
exchange glances. I must not throw away my cigar before it is quite
smoked up, neither must I let it go out—for these are bad signs. No
laughter on my part, even should something impress me as being
amusing—it would sound “forced.” And, above all, no blowing of the nose,
even if I want to. They will suspect a surreptitious use of my
handkerchief for another purpose. Any one may guess, and very cleverly,
at mental agony expressed through physical distress. But what if there
are no visible signs of distress? There shall be none. I wonder how they
will interpret my occupation of writing this? If they imagine I am
making my will they must think me possessed of much to give away.
I have speculated about my guards and answered their kind inquiries. I
am killing time; the afternoon is slipping away quickly. At any rate,
the jury cannot stay out much longer. I look at my watch—eight minutes
and a half have passed. Good God! Only eight minutes and a half!
The second entry at four o’clock.
I am chemist enough to love an experiment. The jury is the unknown
substance; the testimony, the reagent; my case is in solution; what will
precipitate?
I think of the judge’s charge. I can repeat it word for word; it is
seared into my brain; but it would have been more cruel had it aroused a
false hope. How did it impress the jury? Over and over again, the old
question cries out in my mind: “What will the jury do?”
You may be sure I selected pleasant-faced men; men with little fans made
of wrinkles at the corners of their eyes; men who smiled often; who had
pleasant voices.
What a change comes over a talesman when he becomes a juror! He is
sworn. He takes his seat in the box; he will hold your life in his hand;
you cannot get rid of him. Now you look at him in this new aspect, and
there is a leer about his mouth, a cruelty in his eyes you had not seen
before. Why did you select him—a man with a jaw like that? It was
suicide.
I think of the prosecution’s case. They will convict me, of course. I
reconsider it from my point of view. No, they cannot! No jury in the
world could convict on such theories. But on what will they base an
acquittal? There was no defence. I remember the surprises the district
attorney’s office has sprung upon me—the unanswered witnesses, the
fervent experts swearing to the impassioned hypothetical questions of
the prosecutor, and his closing address, scathing, unjust. There is no
chance for me—the odds are thousands to one against acquittal.
Public-domain text, read in full here on John Shaqi.
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