The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Left alone, Saccard went and pressed his forehead against the icy
cold window panes. He forgot himself so far as to beat the tattoo on
the glass with the tips of his fingers. But the night was so black,
the darkness outside hung about in such strange masses, that he could
not help experiencing a feeling of uneasiness, and he mechanically
returned to the room in which Angèle was dying. He had quite forgotten
her, and received a terrible shock on finding her half raised up in
bed on her pillows; her eyes were wide open, a flush of life seemed to
have returned to her lips and cheeks. Little Clotilde, still holding
her doll, was seated on the edge of the bed; the moment her father had
turned his back she had quickly glided into that chamber from which she
had so long been kept, and to which her gladsome childish curiosity
attracted her. His head full of what his sister had been saying to him,
Saccard suddenly beheld his dream dashed to pieces. A frightful thought
must have glared from out his eyes. Seized with terror, Angèle tried
to bury herself in the bedclothes right up against the wall; but death
was nigh, this awakening in the midst of the last agony was the supreme
flicker of the lamp going out. The dying woman was unable to move,
and as her last remnant of strength left her, she continued to keep
her wide open eyes fixed on her husband, as though to watch his every
movement.
[Illustration: THE DEATH OF ANGÈLE.]
Saccard, who for a moment had believed in some diabolical resurrection,
invented by destiny to keep him in poverty, became reassured on seeing
that the wretched woman had scarcely another hour to live. His other
feelings gave way to one of intolerable uneasiness. Angèle's eyes said
plainly enough that she had overheard the conversation between her
husband and Madame Sidonie, and that she feared he would strangle her
if she did not die quick enough. And her eyes were also full of the
horrible amazement of a gentle and inoffensive nature which learns
at the last moment the infamies of this world, and shudders at the
thought of having passed years side by side with a bandit. By degrees
her look became more kind; she was no longer frightened, she no doubt
found excuses for the wretch as she recollected the desperate struggle
he had been maintaining so long against fate. Followed by the dying
woman's gaze, in which he read such bitter reproach, Saccard clung to
the furniture for support, and sought the darkest corner of the room.
Then, feeling on the point of fainting, he tried to drive away this
nightmare which was maddening him, and advanced into the light of
the lamp. But Angèle motioned him not to speak, and she continued
looking at him with that air of terror-stricken anguish, to which was
now joined a promise of pardon. Then he stooped to take up Clotilde in
his arms and carry her into the other room. She again forbade him with
a movement of her lips. She insisted upon his remaining where he was.
Public-domain text, read in full here on John Shaqi.
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