The sacred dance : $b A study in comparative folkloreOesterley, W. O. E. (William Oscar Emil)
Religion
The sacred dance : $b A study in comparative folklore
Oesterley, W. O. E. (William Oscar Emil)
Dance -- Religious aspects -- History
The ceremonial encirclement of the altar, whatever the form of the
encircling procession, is sufficiently attested in the Old Testament,
though the text is uncertain in three of the passages cited. The usage in
later days among the Jews must be regarded as the continuance of ancient
custom. The analogy of the encirclement of a city is appropriate in this
connexion. The object of the encircling procession round a city seems
to be that of “devoting” all that is within it, which thereby becomes
_taboo_. The encirclement of the altar is an act of consecration, _i.e._
of the sacrifice upon it. This explanation of the rite is suggested
by the analogous custom among the Arabs of encircling a sacrificial
victim. The contention that the encircling procession was a symbolic
representation of the movement of the heavenly bodies does not explain
why it should take place round a _sacrificial victim_. The rite seems
more likely to have had the object of consecration; and this receives
confirmation from the instance recorded by Lucian among the Syrians who
perambulated their gods round the sacrificial victims; this can scarcely
have had any other meaning than that of sanctifying all within the divine
circle traced by the gods.
The dance round a sacred object must have been very common among the
Greeks, judging by the large number of representations of it which have
come down to us; the Cyprus “finds” are full of interest. Those which
represent the dance round a person who accompanies it on a Pan’s-pipe
probably portrays the kind of dancing which took place at festivals
when numbers of such groups were formed. Such dances must often have
degenerated into mere “fun”; but that they originally had a serious
side and were performed with the single purpose of doing something
pleasing in the sight of a god or goddess, does not admit of doubt.
The representations may well reflect one form of dancing at Israelite
festivals. Among the Greeks we have direct evidence of these “ring”
dances being performed by men and women together; and it is known that
this led at times to unseemly licence. What little evidence we have on
the subject so far as the Israelites were concerned points to the fact
that the sexes danced separately; whether this was always so must be
left undetermined. The examples of the dance round the sacred tree are
instructive; it was undoubtedly practised by all peoples among whom
trees were objects of worship, and therefore in all probability among
the Israelites. The ἀμφιδρόμια, or purificatory rite of running round
new-born infants, practised by the Greeks and Romans, had no parallel
among the Israelites, so far as we know. But the ritual _lustratio_ of
the Romans may well throw light on the Israelite ritual of encircling the
altar, referred to above.
Public-domain text, read in full here on John Shaqi.
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