Chūjō’s son, a little boy of eight or nine who had only that year been introduced at Court, was present that day. He sang well and could play the _shō_. Genji was very fond of him and they used often to practise together. He was Chūjō’s second son by his wife, the sister of Kōkiden, and as grandson of the all-powerful Minister of the Right he was treated by every one at Court with great deference. But he was also not only handsome but extremely intelligent, and in the present company his performance received so much encouragement that he was soon singing that rather noisy song the _Ballad of Takasago_, which he got through with great credit and applause. As a reward for this song Genji laid his own cloak on the boy’s shoulders, and as he sat flushed with the excitement of the party and wearing only an unlined shirt of thin gauze that showed the delicate texture of his skin beneath, the old doctors of literature stared at him with delight and amazement from the distant part of the room where they had respectfully taken up their stand; and many of them shed tears of wonder and delight. At the close of the stanza: ‘May I be there where lilies bloom’ Chūjō picked up the wine-bowl and handed it to Genji, reciting as he did so the poem: ‘Not the first rose that but this morning opened on the tree, with thy fair face would I compare.’ Laughing, Genji took the cup and whispered the poem: ‘Their time they knew not, the rose-buds that to-day unclosed. For all their fragrance and their freshness the summer rains have washed away.’ Then Chūjō, who had become somewhat excited, accused Genji of toying with the wine-bowl and forced him to drink what he considered a proper draught. Much else happened before the banquet closed. But to describe in detail all that was said and done on an occasion such as this would, I think, be very unfair to the persons concerned. I will therefore observe Tsurayuki’s warning and refrain from tiring you with any further particulars. Suffice it to say that the company made a great many poems both in Chinese and Japanese, all of them containing flattering references to their host, and Genji soon began to feel in very good humour with himself. He could not help thinking of the passage in Chinese history where the Duke of Chou boasts that he is ‘the son of King Wen and the brother of King Wu.’ These were very good names and fitted his case exactly. ‘Son of King Wen, brother of King Wu.’ Suddenly, as he murmured these words, he remembered that the Chinese duke had added ‘and uncle of King Ch’ēng.’ But here he was on difficult ground; something seemed to have gone wrong with the parallel. The ‘King Ch’ēng’[49] of his case, though something more than a nephew, was still a very long way from being a king! Prince Sochi no Miya[50] frequently joined these gatherings, and as he was not only a man of taste and fashion but also an excellent performer on various instruments, his presence added greatly to the pleasure of the company.