Man-woman relationships -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Young women -- Fiction
Sassoon was on his feet, moving restlessly, as she entered. He was not
accustomed to be kept waiting, and to wait half an hour after he had
seen her enter just ahead of him was interminably vexing. And yet, he
was profoundly grateful for this teasing delay. It awakened him; it made
him hope. There was a resistance, a defiance, in it that was as precious
as it was rare. He had wondered much about her as he moved with slow
irritation, stopping occasionally to catch a reflection in the foggy
mirror of his long, oriental, slightly hanging head, and the grizzled
mustache which, with its mounting W, gave to his dulled eyes a sharp
staccato quality of a blinking bird of prey.
The drawing-room, or parlor, was like ten thousand other parlors of
boarding-houses--brown, musty, with an odor of upholstery and cooking,
immense tableaux sunk into the obscurity of the walls, imitation Dresden
shepherdesses on the mantel, an album of Miss Pim's on the table and a
vase containing dried flowers, cheap furniture, a crippled sofa placed
in a shadow, and weighing down all, the heavy respectability of a Sunday
afternoon. Occasionally the front door opened to a latch-key, and a
feminine form flitted by the doorway, always pausing curiously to survey
the parlor before sorting the mail that lay displayed on the seat of
the hat-rack.
Once a couple with cheery voices came full into the room before
perceiving his tenancy. They withdrew abruptly, and he heard the girl
saying to her escort:
"Oh, well, come up to the room; there's never a chance at the old
parlor!"
This mediocrity, this quiet, these flitting forms of young women, the
cub escort who was privileged to enjoy intimacy, strangely excited him.
There was something really romantic in following a fancy into such a
lair, and the longer the plaguing clock sounded its tinny march, the
more vibrantly alert he felt, in the anticipation of her coming.
"I saw you come in!" he said directly. He did not move forward, but
stood blinking at her like a night-bird disturbed in the day. "You've
kept me waiting quite a while, young lady."
"Really?" she said indifferently. She stopped in the middle of the room.
"Well, Pasha, do you expect me to come to you?"
He roused himself, hastily advancing. In truth, waiting for others to
throw themselves at him had become such a habit that he had not noticed
the omission.
"Pardon me! I was enjoying--you are a delightful picture!" he said in
his silky voice.
She accepted the evasion with an unduped smile.
"You are lucky to catch me at all," she said. "I have an engagement
up-town at three."
"Do you always wear the national costume?" he said, indicating her
Russian blouse.
"Yes, always."
"But my flowers, Miss Baxter?" he said, standing after she had motioned
him to a seat; and the glance from under the prominent, hanging upper
lids, that half covered the irises, seemed to sift wearily down at her.
"Your flowers? What flowers? Sit down!"
"My orchids--yesterday--"
Public-domain text, read in full here on John Shaqi.
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