Herein the poetry of agricultural, peaceable Russia clashes with the prosaic efficiency of the west, the efficiency of commercial wars, strikes and class struggles which peasant Muscovy has known so little. And again, Slavophilism, with its theory of successive civilizations, culled perhaps from the philosophy of Hegel, each civilization superior to its forerunner, comes to show us a vision: the gradual displacement of one type of society by another, but continuing what is best in the preceding until nothing except what is good remains and universal peace results, thus portraying the displacement of national civilizations by universal ones, from which ultimately an idealistic world policy will result, and the federation and peace of men. Some Slavophiles saw even in Peter's work a process of progressing from nationality to universality. In his time there was the same yearning toward its peaceful ideal. The "Old Russia" party wanted Peter to renounce war and conquest. Alexis, his own murdered son, worked with this element which was very largely representative of the nation. To them, St. Petersburg, then a new and growing capitol, was typical of change, unrest and falsity; Moscow was in their hearts the only capital, typical of Russia's old comfort and quiet. Many nobles antagonized Peter, but he swept them aside, imprisoning them or sending them to the gallows. Like Russia's slight resistance to Rurik and others, and to the Tartars, so was her feebleness before Peter the Great, who was himself, however, by no means an accomplished military leader, but an enlightened barbarian, dealing with a people whom writers and observers declare to be endowed with conspicuous traits of humility, scarcely found in the Christian nations of the western world.