He died in the year 1097; but he who had been the terror of the Moors for so many years when in life, was still fated to strike terror to them in death, even while all the host of King Bucar were rejoicing that he had passed away. At midnight, twelve days after that event, the Christians prepared to abandon the city of Valentia--'Valentia of the Cid,' as it is called to this day. His body, which had been placed, we are told, 'in a sitting posture, and left to stiffen between two boards,' was placed on the back of Babieca, upright in the saddle, with the feet tied in the stirrups. To all appearance he was completely armed; a light shield of parchment, painted with his device, was hung on his left arm; the terrible Tisona was fixed bare and upright in his sword-hand. Geronymo, Bishop of Valentia, led Babieca by the rein; Pedro Bermudez, with the banner of the Cid upraised, led the van with 400 knights; then came the Cid's body, with Ximena and her ladies, guarded by 600 men, and when day broke, though the Moors were terrified to find that the Cid was there in his saddle again, a battle ensued, and King Bucar was defeated; but Valentia was lost, and the sorrowing warriors of Rodrigo continued their retreat to Old Castile and beyond the Ebro. At Olmedo they were met by his daughters, with all the knights of Aragon, clad in black cloaks, with hoods rent, and their shields reversed at their saddle bows; and with every religious and military solemnity incident to the time, they laid him in his grave at San Pedro de Cardena, and two years afterwards Gil Diaz, one of his most faithful followers, buried Babieca before the gate of the church there. In the course of seven centuries and a half the remains of the famous Cid Rodrigo have been removed several times, the last occasion being by the French, in 1809, to the Espolen, or public promenade of Burgos; but in 1826 they were restored to San Pedro, where the tomb and effigies of himself and Ximena now remain in a small but noble chapel. In that chapel lie the bones of Alvar Fanez Minaya, whom he was wont to call his 'right arm;' of Pedro Bermudez, Ordono, Martin Pelaez, the Asturian, and many more of his captains and valiant friends. His statue, as 'the dread and terror of the Moorish curs,' has a prominent place in the quaint gateway of Santa Maria, erected by Charles V. at Burgos. In the time of Cervantes the saddle of Babieca was preserved in the Royal Armoury at Madrid, and Southey avers that he had personally seen and handled Tisona, now an heirloom in the family of the Marquis de Falces. On one side of the blade is graven, 'I am Tisona, made in the year 1002;' on the other is the legend, 'AVE MARIA GRATIA PLENA DOMINUS TUUM.' [Illustration: Chapter 3 headpiece] THE BOY-GENERAL. THE STORY OF JEAN CAVALIER. [Illustration: Chapter 3 tailpiece] THE BOY-GENERAL. THE STORY OF JEAN CAVALIER. 'Guillot--you here! Why have you left the mountain of St. Julian?'