A district characterized by such features as we have named
necessarily exhibits, within very circumscribed limits, varieties
of scenery of the most opposite descriptions; enabling the admirer
of nature to pass abruptly from dwelling on the loveliness of an
extensive marine or champaign landscape into the deep solitude of an
ancient forest, or the dark craggy fastnesses of an alpine ravine;
or from lingering amid the quiet grassy meadows of a pastoral strath
or valley, watered by its softly-flowing stream, to the open heathy
mountain-side, whence ‘alps o’er alps arise,’ whose summits are often
shrouded with mists and almost perennial snows, and their overhanging
precipices furrowed by foaming cataracts. Lakes and long arms of
the sea, either fringed with woods or surrounded with rocky barren
shores, now studded with islands, and anon extending their silvery
arms into distant receding mountains, are met in every district;
while the extreme steepness, ruggedness, and sterility of many of the
mountain-chains impart to them as imposing and magnificent characters
as are to be seen in the much higher and more inaccessible elevations
of Switzerland. No wonder, then, that this ‘land of mountain and of
flood’ should have given birth to the song of the bard, and afforded
material for the theme of the sage, in all ages; and that its
inhabitants should be tinctured with deep romantic feelings, at once
tender, melancholy, and wild; and that the recollection of their own
picturesque native dwellings should haunt them to their latest hours.
Neither, amid such profusion and diversity of all that is beautiful
and sublime in nature, can the unqualified admiration of strangers,
from every part of Europe, of the scenery of the Highlands fail of
being easily accounted for; nor can any hesitate in recommending them
to visit the more remote or unknown solitudes.[1]
Public-domain text, read in full here on John Shaqi.
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