The fountain niches of the Seasons in the Court of the Four Seasons are graced by Milton Herbert Bancroft's appropriate panels. Two of these, one on each wall of the fountain niche, are devoted to each season. One represents the pleasures that that period of the year brings forth for man; the other shows the duties it demands of him. In "Spring," we have the poet's conception of the time of blossoms and garlands, of young loves, piping shepherds and dancing maidens, while the goddess of the season dreams of coming glories. In the companion panel, "Seedtime," the waiting farmers attend her as she stands, sceptered with an Easter lily, and extends her benison on the land. "Summer" crowns the victors in athletic sports; while in "Fruition" the goddess of the season receives the tribute of the successful workers of the soil. The panel called "Autumn" is gay with the dance of the vineyard festival; three happy figures modeled with grace and much refinement are placed on a background divided into panels by a vine. But "Harvest" is quiet and serious; the goddess, bearing the torch of Indian Summer, receives the sheaves of the gleaners. So in "Winter," one panel shows Festivity, with the old bard, the Christmas garland and the gaieties of the home; the other, the distaff by the fireside, the huntsman and the wood-cutter. Westward March of Civilization Arch, Nations of the West Decorating the inner walls of the Arch of the Setting Sun are two long, colorful panels by Frank Vincent Du Mond, inspired by the historical background of the West. They have refreshing vividness of color, clear precision of draughtsmanship and a bright enthusiasm for their subject. With a narrative quality unusual in a mural they commemorate the adventurous spirit that led a stable civilization in the march across the continent of America. In the panel, "Leaving the East," emigrants depart from a barren, snowy coast, upon which stands the meeting-house, source of so many national traditions. A youth bids farewell to his sorrowing friends; a group of adventurers bearing the bare necessities of life leads the way to the frontier. In the central group, surrounding the old Concord wagon laden with household goods, appear the Jurist, Preacher, Schoolmistress, the Child - Symbol of the Home - the Plains' Driver and the Trapper. A symbolic figure, "The Call of Fortune," accompanies them. Some of the characters are actual portraits, as are also the Artist, Writer, Scholar, Architect and Sculptor in the opposite panel, "The Arrival in the West." In this the lavishness and opulence of California welcome the pioneers. Mr. Du Mond is a member of the International Jury of Awards in the Fine Arts Department of the Exposition. Discovery - The Purchase Tower of Jewels