“So it was Nereid--” I told them of the dreams. Nereid said shyly, “I
would not care--I mean, it was not what I desired, to frighten you.”
She spoke slowly, carefully as one who deals with an unfamiliar
language. And very softly, with an accent, not to be described and a
tone curiously limpid.
Arturo smiled. “We could not help that; we had to get the call through.
You’re not very receptive, Jeff.”
“But Arturo was,” said Tad.
They told me then that it was Tad, down there with Nereid, who had made
her call to Arturo. There was so much that I would ask, but Arturo cut
us short.
“Not now. Later, when we arrive. We’ve been gone too long now, Tad--you
know it.”
A different Arturo. He was dressed in short black trunks and a black
sleeveless jacket that clung to him like a swimming suit. It shone,
with light on it, like a thin woven metal. His black hair was closely
clipped. His face was paler now than ever, but it seemed only the
pallor of darkness. A leaner, rather longer face than I remembered.
And stranger, and older. His jaw was more firmly set; his lips thinner
and firmer. And his eyes were different. A flashing, dominant glance.
More than that, they seemed larger, as though from living in the dark.
And I noticed that here within the globe, the light was very dim, and
carefully shaded.
There were similar changes in Tad. His short, stocky figure showed
muscular in the brief black suit. His red hair was close-clipped; his
freckles gone, with pallor supplanting them. He, too, seemed older;
his face in repose, very solemn. But his manner showed he was the same
old Tad--irrepressible; like Mercutio, he would make a joke of his own
death, I am sure.
We sat on a horizontal platform which hung midway of the globe,
spanning its diameter. A similar disk, of necessity smaller, was ten
feet over our head like a ceiling. It made a sort of room, with a small
metallic post upright in its center--a vertical axis to the globe. A
queer, circular room. Seats stood about it; there seemed a buffet,
wherein food was stored. And to one side, a table and shelves of
instruments. A metal ladder led upward, through the ceiling, to the
globe’s upper segment; and a trap door in the floor gave access to a
ladder downward.
The whole metallic interior was dim with its shaded lights. I saw
that the room was hung upon this central axis. There were windows at
intervals in the curving wall of the globe. Through them, with lights
whose source I could not determine, a vista of the sea showed plainly.
We were pivoted, as though sitting upon the plane of a huge top. But it
was not our disk that began spinning. The globe’s mechanisms went into
operation with a slow throbbing; the disks of the room held steady,
and apparently almost level. But already the central axis was turning;
the globe was turning; the windows began passing in steady procession
around us.
Public-domain text, read in full here on John Shaqi.
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