'The colours,' says Dr. Evans in teat brilliant article in the _Monthly Review_ which first gave to the general public the story of his first season's discoveries, 'were almost as brilliant as when laid down over three thousand years before. For the first time the true portraiture of a man of this mysterious Mycenaean race rises before us. The flesh-tint, following, perhaps, an Egyptian precedent, is of a deep reddish-brown. The limbs are finely moulded, though the waist, as usual in Mycenaean fashions, is tightly drawn in by a silver-mounted girdle, giving great relief to the hips. The profile of the face is pure and almost classically Greek.... The lips are somewhat full, but the physiognomy has certainly no Semitic cast.... There was something very impressive in this vision of brilliant youth and of male beauty, recalled after so long an interval to our upper air from what had been, till yesterday, a forgotten world. Even our untutored Cretan workmen felt the spell and fascination. They, indeed, regarded the discovery of such a painting in the bosom of the earth as nothing less than miraculous, and saw in it the icon of a Saint! The removal of the fresco required a delicate and laborious piece of under-plastering, which necessitated its being watched at night, and old Manolis, one of the most trustworthy of our gang, was told off for the purpose. Somehow or other he fell asleep, but the wrathful saint appeared to him in a dream. Waking with a start, he was conscious of a mysterious presence; the animals round began to low and neigh, and "there were visions about"; "[Greek: phautazei]," he said, in summing up his experiences next morning, "the whole place spooks!"'[*] [Footnote *: _Monthly Review_, March, 1901, pp. 124, 125.] [Illustration IX: MAGAZINE WITH JARS AND KASELLES GREAT JAR WITH TRICKLE ORNAMENT]