They turned aside from the high path of the Leas to the head of some
steps that led down the declivity. In a few moments it was as if those
imposing fronts of stucco, those many-windowed hotels, the electric
lights on the tall masts, the band-stand and miscellaneous holiday
British public, had never existed. It is one of Folkestone's best
effects, that black quietness under the very feet of a crowd. They no
longer heard the band even, only a remote suggestion of music filtered
to them over the brow. The black-treed slopes fell from them to the surf
below, and out at sea were the lights of many ships. Away to the
westward like a swarm of fire-flies hung the lights of Hythe. The two
men sat down on a vacant seat in the dimness. For a time neither spoke.
Chatteris impressed Melville with an air of being on the defensive. He
murmured in a meditative undertone, "I wouldn't 'ave no truck with 'im
not after that."
"I will admit by every standard," he said aloud, "that I have been
flappy and feeble and wrong. Very. In these things there is a prescribed
and definite course. To hesitate, to have two points of view, is
condemned by all right-thinking people.... Still--one has the two points
of view.... You have come up from Sandgate?"
"Yes."
"Did you see Miss Glendower?"
"Yes."
"Talked to her?... I suppose-- What do you think of her?"
His cigar glowed into an expectant brightness while Melville hesitated
at his answer, and showed his eyes thoughtful upon Melville's face.
"I've never thought her--" Melville sought more diplomatic phrasing.
"I've never found her exceptionally attractive before. Handsome, you
know, but not--winning. But this time, she seemed ... rather splendid."
"She is," said Chatteris, "she is."
He sat forward and began flicking imaginary ash from the end of his
cigar.
"She _is_ splendid," he admitted. "You--only begin to imagine. You
don't, my dear man, know that girl. She is not--quite--in your line.
She is, I assure you, the straightest and cleanest and clearest human
being I have ever met. She believes so firmly, she does right so
simply, there is a sort of queenly benevolence, a sort of integrity of
benevolence----"
He left the sentence unfinished, as if unfinished it completely
expressed his thought.
"She wants you to go back to her," said Melville bluntly.
"I know," said Chatteris and flicked again at that ghostly ash. "She
has written that.... That's just where her complete magnificence comes
in. She doesn't fence and fool about, as the she-women do. She doesn't
squawk and say, 'You've insulted me and everything's at an end;' and
she doesn't squawk and say, 'For God's sake come back to me!' _She_
doesn't say, she 'won't 'ave no truck with me not after this.' She
writes--straight. I don't believe, Melville, I half knew her until
all this business came up. She comes out.... Before that it was, as
you said, and I quite perceive--I perceived all along--a little
too--statistical."
Public-domain text, read in full here on John Shaqi.
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