I could see in the mirror facing him the provoking devilry of his eyes. I knew that he was trying how much he could stir me. He guessed my love for her, but I could see he was sure that she no longer--if she ever had--thought of me. Besides, with a lover's understanding, I saw also that he liked to talk of her. His eyes, in the mirror, did not meet mine, but were fixed, as on some distant and pleasing prospect, though there was, as always, a slight disdain at his mouth. But the eyes were clear, resolute, and strong, never wavering--and I never saw them waver--yet in them something distant and inscrutable. It was a candid eye, and he was candid in his evil; he made no pretense; and though the means to his ends were wicked, they were never low. Presently, glancing round the room, I saw an easel on which was a canvas. He caught my glance. "Silly work for a soldier and a gentleman," he said, "but silliness is a great privilege. It needs as much skill to carry folly as to be an ambassador. Now, you are often much too serious, Captain Moray." At that he rose, and, after putting on his coat, came over to the easel and threw up the cloth, exposing a portrait of Alixe! It had been painted in by a few bold strokes, full of force and life, yet giving her face more of that look which comes to women bitterly wise in the ways of this world than I cared to see. The treatment was daring, and it cut me like a knife that the whole painting had a red glow: the dress was red, the light falling on the hair was red, the shine of the eyes was red also. It was fascinating, but weird, and, to me, distressful. There flashed through my mind the remembrance of Mathilde in her scarlet robe as she stood on the Heights that momentous night of my arrest. I looked at the picture in silence. He kept gazing at it with a curious, half-quizzical smile, as if he were unconscious of my presence. At last he said, with a slight knitting of his brows: "It is strange--strange. I sketched that in two nights ago, by the light of the fire, after I had come from the Chateau St. Louis--from memory, as you see. It never struck me where the effect was taken from, that singular glow over all the face and figure. But now I see it; it returns: it is the impression of colour in the senses, left from the night that lady-bug Mathilde flashed out on the Heights! A fine--a fine effect! H'm! for another such one might give another such Mathilde!"