During the conversation that followed, Blowitz opened his heart to his visitor, telling him that his own position as the Paris correspondent of the _Times_ was in danger owing to some changes in the administration of the London office. A fortnight later, Blowitz received from the managing editor of the _Times_ in London a letter sixteen pages long, addressed to Printing-House Square, and entirely written and signed by Baron Holstein. It denounced Blowitz as being one of the creatures of the late Duc Decazes, as wilfully ignoring and concealing for interested purposes of his own, a number of matters that should have found their way into the columns of the _Times_, and urging the managers of the latter to send to Paris some fitter and more impartial person, who would be better able to keep the great English newspaper _au courant_ of what was going on below as well as above the surface, than so unscrupulous a person as M. de Blowitz. This letter was dated exactly three days after the latter's visit of gratitude to the correspondent, and the incident may be regarded as being in perfect harmony with the behavior of this favorite of the kaiser to both Count Harry Arnim and subsequently to Prince Bismarck. The third of these cronies of the kaiser, to whom his subjects take objection on the ground that they are in the habit of using the favor shown to them by his majesty to further their own interests, and to injure those who, for one reason or another, have incurred their animosity, is Count Philip Eulenburg, who has been again and again referred to in the Berlin newspapers as "the Troubadour." He is at the present moment German ambassador at Vienna, whence his predecessor, Prince Reuss, was ousted in spite of the eminent services of a personal character which he had rendered to the emperor, in order to make way for the count. The latter's intimacy with his sovereign is largely due to his cleverness as a poet, a dramatist, and a composer, and while he has furnished the words to many of the musical compositions of the kaiser, William has, in turn, had much of his own poetry set to music by the count. Philip Eulenburg has been clever enough to foster William's very pardonable weakness as to his gifts as a musician and a poet, and being a man of the most charming manners, possessed of an unusual supply of tact, and extremely accomplished in many respects, he has acquired an extraordinary degree of influence over his sovereign. Indeed it may be doubted whether there is any member of the imperial entourage who stands as high in the good graces of the German ruler as does his ambassador to the Court of Vienna.