The Secret of the League: The Story of a Social WarBramah, Ernest
Science
The Secret of the League: The Story of a Social War
Bramah, Ernest
Dystopias -- Fiction; Great Britain -- Politics and government -- Fiction; Social classes -- Fiction
Written without vowels, stops, capitals, or spaces, this gave a very
serviceable cryptograph, but there was an added safeguard. After
completing the first line the writer moved a shift-key and brought
another set of symbols into play--or, rather, the same symbols under a
different arrangement. The process was repeated for the third line, and
then the fourth line returned to the system of the first. Thus three
codes were really in operation, and the danger of the key being found by
the frequent recurrence of certain symbols (the most fruitful cause of
detection) was almost overcome. Six identical machines were in
existence. One has been accounted for; Sir John Hampden had another; and
a third was in the possession of Robert Estair, the venerable titular
head of the combined Imperial party. A sociable young publican, who had
a very snug house in the neighbourhood of Westminster Abbey, could have
put his hand upon the fourth; the fifth was in the office of a
super-phosphate company carrying on an unostentatious business down a
quiet little lane about ten or a dozen miles out of London; and the
sixth had fallen to the lot of a busy journalist, who seemed to have the
happy knack of getting political articles and paragraphs accepted
without demur by all the leading newspapers by the simple expedient of
scribbling "Urgent" and some one else's initials across the envelopes he
sent them in. Communications of the highest importance never reached the
stage of ink and paper, but the six machines were in frequent use. In
_bona fide_ communications the customary phraseology with which letters
begin and end was not used, it is perhaps unnecessary to say. So obvious
a clue as the short line "kbeljsl" at the head of a letter addressed to
Estair would be as fatal to the secrecy of any code as the cartouched
"Cleopatra" and "Ptolemy" were to the mystery of Egyptian hieroglyphics.
That Salt wrote it may be taken as an indication that he had another end
in view; and it is sometimes a mistake to overrate the intelligence of
your opponents. When the letter was finished he put it away in his
pocket-book, arranged the fastenings of both safe and desk so that he
could tell if they had been disturbed, and then went home.
Public-domain text, read in full here on John Shaqi.
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