For some reason he looked up toward the sky, the great blue dome
blazing with fire on the western horizon. Then, his brain numb, his
steps wooden, he turned and walked back along the fairway toward his
ball.
7
The first star of evening rested like a jewel against the night's dark
throat. The moon had not yet risen. At surface level in the Freeman
Camp, away from the gaudy main streets and the floodlit play areas,
the shadows were deep. The clumps of woods and bushes in the parks, so
fresh and cool and inviting during the day, were now black, forbidding
caves.
At night the camp was different. Under the day's warm sun and dazzling
sky, it was a vivid and colorful panorama of flowers and trees and
green grass and gaily painted buildings, with a leisurely pace and a
pervading atmosphere of carefree pleasure which could not be destroyed
by the occasional bizarre incident. With the coming of darkness the
tempo of activity became more frenetic, its spirit caught by the shrill
cacophony of the music blaring from viewscreens and the computer bands
in the better cocktail lounges and dance halls. There was a keener,
more penetrating edge to the sudden peals of laughter, a more insistent
note in the gay, sophisticated talk around the cafe tables and in the
bars, an urgency to the hurrying steps of the crowds pushing along the
streets, a sweaty impatience pervading the lines forming outside the
red-painted PIB's. By day the Freemen were a family group enjoying lawn
games and relaxing by the pool, and the family could hardly be blamed
if a mad uncle brandished a golf club. At night the party started.
The main thoroughfares were thronged with Freemen. They clustered on
street corners. They jammed the lavish restaurants and spilled out of
the tiny bars. They swarmed through the glowing theater lobbies and
filled the recreation halls with noisy confusion. Their merriment had
a voice. It was high and artificially frightened, ringing through the
tunnels of the electronically thrill-packed fun houses. It was hoarse
and raw with savage excitement in the banked spectator rows of the
miniature bird fight arena, where two leggy, long-beaked birds--rare
mutations of an earlier species--controlled by slender string leashes
secured to metal rings around their necks, goaded by electronic
impulses from the whiplike metal rods held by their handler-trainers,
pecked and slashed at each other with their curved sword-beaks. It was
low and suggestive behind the drawn curtains of the private booths
in the peekie-houses, where the latest erotic films were created by
thought impulses on the individual screens.
Public-domain text, read in full here on John Shaqi.
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