The Serapion Brethren, Vol. IIHoffmann, E. T. A. (Ernst Theodor Amadeus)
Science
The Serapion Brethren, Vol. II
Hoffmann, E. T. A. (Ernst Theodor Amadeus)
Fiction
So that she really was not in the least frightened when she saw that
what she had been thinking was the stove was really Leonhard the
Goldsmith, who came up to her and said, in a gentle, harmonious
voice:--
"My dear child, lay aside all grief and anxiety. Edmund Lehsen, whom,
at present at all events, you believe you love, is a special _protégé_
of mine; and I am helping him with all the power at my command. Let me
further tell you that it was I who put the lottery idea into your
father's head; that I am going to provide and prepare the caskets, and,
of course, you see that no one but Edmund will find your portrait."
Albertine felt inclined to shout for joy. The Goldsmith continued:--
"I could have brought about the giving of your hand to Edmund in other
ways; but I particularly wish to make the two rivals, Tussmann and the
Baron, completely contented at the same time. So that that is going to
be done, and you and your father will be quite sure to have no more
trouble on their part."
Albertine poured forth the warmest expressions of gratitude. She almost
fell at his feet, she pressed his hand to her heart, she declared that,
notwithstanding all the magic tricks he had performed, nay, even after
the way he had come into her room, she wasn't in the least afraid of
him; and she concluded with the somewhat naive request that he would
tell her all about himself, and who he really was.
"My dear child," he answered, "it would not be by any means an easy
matter for me to tell you exactly who I am. Like many others, I know
much better whom I take other people for than what I really and truly
am myself. But I may tell you, my dear, that many think I am none other
than that Leonhard Turnhäuser the Goldsmith, who was such a famous
character at the court of the Elector Johann Georg, in the year 1580,
and who disappeared, none knew how or where, when envy and calumny
tried to ruin him; and if the members of the imaginative or romantic
school say that I am this Turnhäuser, a spectral being, you may imagine
what I have to suffer at the hands of the solid and enlightened portion
of the community, the respectable citizens, and the men of business,
who think they have something better to do than to bother their heads
about poetry and romance. Then, even the aesthetic people want to watch
me and dog my steps, just as the doctors and the divines did in Johann
Georg's time, and try to embitter and spoil whatever little modicum of
an existence I am able to lay claim to, as much as ever they can. My
dear girl, I see well enough already, that though I take all this
tremendous interest in young Edmund Lehsen and you, and turn up at
every corner like a regular _deux ex machina_, there will be plenty of
people of the same way of thinking with those of the aesthetic school,
who will never be able to swallow me, historically speaking, who will
never be able to bring themselves to believe that I ever really existed
at all.
Public-domain text, read in full here on John Shaqi.
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