The specimens of fine writing thus far described have been produced directly by the hand under the guidance either of a magnifier or the simple sense of motion. Just how far it would be possible to go by these means has never been determined, so far as I know, but those who have examined the specimens of selected diatoms and insect scales in which objects that are utterly invisible to the naked eye are arranged with great accuracy so as to form the most beautiful figures, can readily believe that a combination of microscopical dexterity and skill in penmanship might easily go far beyond anything that has yet been accomplished in this direction, either in ancient or modern times. But by means of a very simple mechanical arrangement, the motion of the hand in every direction may be accurately reduced or enlarged to almost any extent, and it thus becomes possible to form letters which are inconceivably small. The instrument by which this is accomplished is known as a pantagraph, and it has, within a few years, become quite popular as a means of reducing or enlarging pictures of various kinds, including crayon reproductions of photographs. Its construction and use are, therefore, very generally understood. It was by means of a very finely-made instrument embodying the principles of the pantagraph that the extraordinarily fine work which we are about to describe was accomplished. It is obvious, however, that in order to produce very fine writing we must use a very fine pen or point and the finer the point the sooner does it wear out, so that in a very short time the lines which go to form the letters become thick and blurred and the work is rendered illegible. As a consequence of this, when the finest specimens of writing are required, it is necessary to abandon the use of ordinary points and surfaces and to resort to the use of the diamond for a pen, and glass for a surface upon which to write. One of the earliest attempts in this direction was that of M. Froment, of Paris, who engraved on glass, within a circle, the one-thirtieth of an inch in diameter, the Coat of Arms of England--lion, unicorn, and crown--with the following inscription, partly in Roman letters, partly in script: "_Honi soit qui mal y pense_, Her Most Gracious Majesty, Queen Victoria, and His Royal Highness, Prince Albert, _Dieu et mon droit_. Written on occasion of the Great Exhibition, by Froment, a Paris, 1851."