It is evident, that if the Chaldaean temples were of the character and construction which we have gathered from their remains, they could have possessed no great architectural beauty, though they may not have lacked a certain grandeur. In the dead level of Babylonia, an elevation even of 100 or 150 feet must have been impressive; and the plain massiveness of the structures no doubt added to their grand effect on the beholder. But there was singularly little in the buildings, architecturally viewed, to please the eye or gratify the sense of beauty. No edifices in the world --not even the Pyramids--are more deficient in external ornament. The buttresses and the air-holes, which alone break the flat uniformity of the walls, are intended simply for utility, and can scarcely be said to be much embellishment. If any efforts were made to delight by the ordinary resources of ornamental art, it seems clear that such efforts did not extend to the whole edifice, but were confined to the shrine itself--the actual abode of the god--the chamber which crowned the whole, and was alone, strictly speaking, “the temple.” Even here there is no reason to believe that the building had externally much beauty. No fragments of architraves or capitals, no sculptured ornaments of any kind, have been found among the heaps of rubbish in which Chaldaean monuments are three-parts buried. The ornaments which have been actually discovered, are such as suggest the idea of internal rather than external decoration; and they render it probable that such decoration was, at least in some cases, extremely rich. The copper nails and blue enamelled tiles found high up in the Mugheir mound, have been already noticed. At Abu-Shahrein the ground about the basement of the second story was covered with small pieces of agate, alabaster, and marble, finely cut and polished, from half an inch to two inches long, and half an inch (or somewhat less) in breadth, each with a hole drilled through its back, containing often a fragment of a copper bolt. [Illustration: PAGE 56] It was strewn less thickly with small plates of pure gold, and with a number of gold-headed or gilt, headed nails, used apparently to attach the gold plates to the internal plaster or wood-work. These fragments seem to attest the high ornamentation of the shrine in this instance, which we have no reason to regard is singular or in any way exceptional.