The Seven Sisters of Sleep: Popular History of the Seven Prevailing Narcotics of the WorldCooke, M. C. (Mordecai Cubitt)
History
The Seven Sisters of Sleep: Popular History of the Seven Prevailing Narcotics of the World
Cooke, M. C. (Mordecai Cubitt)
Drug abuse; Narcotics; Psychotropic drugs; Psychotropic plants; Tobacco use
Semele, in a death by fire, became a martyr to love. Thus Virginia
suffers herself to be burnt for the good of the world. From the ashes
of the old Phœnix the young Phœnix was born. From the smoke of the
Havana spring new visions, and eloquent delights. As the altars of the
gods received honour from men, and the censers from whence ascended the
burning incense were sacred to the deities, wherefore should not the
pipe receive honour, as well as the man who uses it, or the odorous
weed consumed within it. An enthusiast writes of it thus—“Philosophers
have drawn their best similes from their pipes. How could they have
done so, had their pipes first been drawn from them? We see the smoke
go upwards—we think of life; we see the smoke-wreath fade away—we
remember the morning cloud. Our pipe breaks—we mourn the fragility of
earthly pleasures. We smoke it to an end, and tapping out the ashes,
remember that ‘Dust we are, and unto dust we shall return.’ If we are
in love, we garnish a whole sonnet with images drawn from smoking, and
first fill our pipe, and then tune it. That spark kindles like her eye,
is ruddy as her lip; this slender clay, as white as her hand, and slim
as her waist; till her raven hair grows grey as these ashes, I will
love her. This perfume is not sweeter than her breath, though sweeter
than all else. The odour ascends me into the brain, fills it full of
all fiery delectable shapes, which delivered over to the tongue, which
is the birth become delectable wit.”
The instruments by which the “universal weed” is consumed, are almost
as variable in form and material as the nations indulging in their use.
The pipe of Holland is of porcelain, and that of our own island of
unglazed clay. These latter are made in large quantities, both at home
and abroad.[10] One factory at St. Omer employs 450 work-people, and
produces annually 100,000 gross, or nearly fifteen millions of pipes;
and another factory at the same place employs 850 work-people, and
produces 200,000 gross, or nearly thirty millions of pipes, consuming
nearly eight thousand tons of clay in their manufacture. The quantity
of pipes used annually in London is estimated at 364,000 gross, or
52,416,000 pipes; it requires 300 men, each man making 20 gross four
dozen per week, for one year, to make them; the cost of which is
£40,950. The average length of these pipes is twelve and a half inches;
and if laid down in a horizontal position, end to end together, they
would reach to the extent of 10,340 miles, 1,600 yards; if they were
piled one above another perpendicularly, they would reach 135,138 times
as high as St. Pauls; they would weigh 1,137 tons, 10 cwts., and it
would require 104 tons, 9 cwts., 32 lbs. of tobacco to fill them. In
1857 we imported clay pipes to the value of £7,614, which cannot be
short of 121,000 gross, or seventeen and a half millions. But even
with us, pipes were not always of clay. The earliest pipes used in
Public-domain text, read in full here on John Shaqi.
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