The sexagenarian; or, the recollections of a literary life (Volume 1 of 2)Beloe, William
General
The sexagenarian; or, the recollections of a literary life (Volume 1 of 2)
Beloe, William
Authors, English; Beloe, William, 1756-1817; English literature -- Anecdotes
“History furnishes us with sufficient examples of the truth of this;
we need but look back into the state of ancient Greece and Rome, and
we shall find that they flourished chiefly in times of peace, and that
’twas then their improvement in the learned arts were chiefly made, which
verifies this, that peace is preferable to war. The latter of which
resembles wild-fire, laying waste wherever it comes; the former may be
compared to balmy sleep, strengthening the body politic, and diffusing
over it a grateful recreation. War therefore ought to be dreaded, and all
proper means used to avoid it, and obtain an honourable peace, since ’tis
certain that peace is preferable to war.”
There is yet one other specimen preserved, which, with that which
precedes, is copied from the Professor’s own hand-writing.
Scribendi recte sapere est principium et fons.
“To write with correctness, elegance, and good sense, requires an able
judgment, and a diffusive knowledge in literature. There must first be
store of ideas treasured up, before any pure rivulets can flow from it.
In short, ’tis necessary, in order to become a good writer, to understand
well nature herself, to copy her in her paintings, to represent things
in their true light, and then to decorate the descriptions with suitable
language agreeable to Horace.
Scribendi recte sapere est principium et fons.
“Whose authority is to be regarded, as he was himself as accomplished
a writer as any in the Augustan age. And most certain it is, that a
good writer stands in need of all these qualifications, and a defect of
them renders writing contemptible and ridiculous. For how can a writer
represent a thing to the age, if he does not understand it thoroughly
himself?
“How can he describe it properly, if he does not understand the effect
it produces, and the consequences which follow it? ’Tis only a clear
understanding of the subject in all its various branches, that can
constitute a good writer; so that Horace’s rule, though applied by him
to poetical performances, may with equal reason be adapted to other
writings, and we may with him conclude, that
Scribendi recte sapere est principium et fons.”
A casual and slight perusal of the above composition, may perhaps not
discover any indication of those very superior abilities, which were
afterwards exercised in an elevated station, and admired by the world;
but more serious examination will detect beneath the surface something
like manly reflection, arrangement of ideas, and, if it may be so said,
of syllogistic reasoning.
The subject is alluring, and what observes our Sexagenarian in his Notes
forbids its being pursued somewhat further?
Laud we the gods once more!
For now at last the sacred influence
Of light appears, and from the walls of heaven
Shoots far into the bosom of dim night
A glimmering dawn.
CHAPTER XXXII.
Public-domain text, read in full here on John Shaqi.
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