"Yes," I retorted, in protest, "but this action of a closed piano
happened in my presence, under my hand, and there is always so much more
convincing quality in the miracle which happens in one's own house. But,
seriously, that performance on the closed piano remains a profound
mystification to me. If it had happened in the medium's house, or in the
home of some one who knew her, I might have suspected fraud--but it did
not! It happened in the study of one of the most respected women in the
city, a student who did not believe in psychic phenomena. Furthermore,
my own hand was on the lid of the piano. I was so convinced of Mrs.
Smiley's possession of some occult force that I at once wrote to the
society, telling them that a study of her phases would, in my judgment,
be the most important work its directors could engage upon. This is one
of my crack stories, and I wouldn't believe it as related by any one
else. However, you may read my report, which I made at the time, if that
will be of any satisfaction to you."
"Oh, I don't need it," responded Mr. Fowler. "I was merely trying to
find out what your best experiments had been. Have they all been on the
physical plane?"
"They are all on the physical plane--that is to say, on one plane for
me. Any 'spirit manifestation,' so long as we are what we are, must be
an agitation of what we call 'molecules of matter,' and is to that
extent physical. I have no patience with those highfilutin teachers who
speak of matter as though it were ignoble in some way. Matter to me is
as mysterious as spirit."
At this moment a slight movement of the psychic arrested me, and as we
listened the silvery sweet voice of "Maudie" issued from the darkness,
saying: "_Mr. Mitchell wants Mr. Garland to change places with Mr.
Fowler. Be very careful as you move about. Don't joggle mama. It's very
dangerous to her._"
As I rose to comply, "Maude" called out: "_Mr. Mitchell wishes the
threads fastened to mama's wrists. He wants you and Mr. Fowler to hold
them the way you did at Mr. Miller's house._"
Turning up the lights, we tied a strong silk thread to each wrist, and
passed the ends under each arm of the chair. Fowler took one of these
ends while I retained the other. I then called the attention of Brierly
to the fact that the table was seventeen inches from the feet of the
psychic, and that the fastenings were unchanged. When his examination
was completed, the lights were again turned off, and the circuit of
hands restored.
"Maudie" then requested that the pieces of cone be put together and
placed on the floor beside the table. Fowler did this, and drew a chalk
mark about it, numbering it "Position No. 1." Immediately after his
return to his seat the table was strongly pushed away from the psychic.
It moved in impulses, an inch or two at a time, until it was certainly
six or eight inches farther from the psychic.
Public-domain text, read in full here on John Shaqi.
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