were not recognized as immortal by the generation of their composer
that is the miracle; neither were the songs of Homer. Perhaps, so far as
experience goes, this is rather the rule than the exception. The miracle
is, that in all the world of London and of England nobody knew that
there _was_ any Shakespeare, in the very days when the Drama we hold
so priceless now was being publicly rendered in a play-house, and
printed--as we shall come to consider further on--for the benefit of
non-theater-goers!
But, it is said, the great fire of London intervened and burned up all
the records--that is how we happen to have no records of the immortal
Shakespeare. Then, again, there is the lapse of time--the ordinary wear
and tear of centuries, and the physical changes of the commercial center
of the world. But how {080}about Edmund Spenser? That we have his poetry
and the record of his life, is certain. Or, how about Chaucer? Did the
great fire of London affect his chronicle and his labors? The records of
Horace, and Maro, of Lucretius, of Juvenal, and Terence, had more than a
great fire of London to contend with. But they have survived the ruin
of empires and the crash of thrones, the conflagrations of libraries
and the scraping of palimpsests. And yet the majesty and might of the
Shakespearean page, how greater than Horatius or Maro, than Juvenal and
Terence! If it all were a riddle, we could not read it. But it is not a
riddle. It is the simplest of facts--the simple fact that the compilers
of the Shakespearean pages worked anonymously, and concealed their
identity so successfully that it lay hidden for three hundred years, and
defies even the critical acumen, the learning and the research of this
nineteenth century.
But to return to Edmund Malone. He is not deterred by his failure to
find a poet of the name of Shakespeare. Determined that a poet of that
name there shall be, and not being at hand, he proceeds--and he has
the credit of being the first to undertake the task--to construct an
immortal bard. And a very pretty sort of fellow he turns out, too!--one
that, with such minor variations as have, from time to time, suggested
themselves to gentlemen of a speculative turn of mind, has been a
standard immortal William all along. For they who seek will find. Had
Mr. Malone searched for the Stratford "shaughraun," who ran off and
became an actor (as capably respectable a profession as any other,
for the man makes the profession, and not the profession the man); who
revis{081}ited his native haunts--on the lookout, not for king's and
cardinals, not for dukes and thanes and princes--but for clowns and
drunkards and misers to dovetail in among the Hamlets and Othellos that
passed under his adapting pen; * had he searched for the {082}Stratford'
butcher's son, who was the Stratford wag as well, and who never
slaughtered a sheep without making a speech to his admiring
fellow-villagers, here he was at his hand.
Public-domain text, read in full here on John Shaqi.
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