The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of PesaroSabatini, Rafael
History
The Shame of Motley: being the memoir of certain transactions in the life of Lazzaro Biancomonte, of Biancomonte, sometime fool of the court of Pesaro
“I owe thanks,” said I, “to many circumstances for the sparing of my
life; but above all people and all things do I owe thanks to our
gracious Lady Lucrezia. Do you think, Messer Magistri, that she would
consent to see me and permit me again to express the gratitude that
fills my heart?”
Mosser Magistri thought that he could promise this, and consented to
bear my message to her. Within the hour she was at my bedside and
divining that, haply, I had news to give her of the letter I had born
her brother, she dismissed Magistri who was in attendance.
Once we were alone her first words were of kindly concern for my
condition, delivered in that sweet, musical voice that was by no means
the least charm of a princess to whom Nature had been prodigal of
gifts. For without going to that length of exaggerated praise which
some have bestowed—for her own ear, and with an eye to profit—upon
Madonna Lucrezia, yet were I less than truthful if I sought to belittle
her ample claims to beauty. Some six years later than the time of which
I write she was met on the occasion of her entry into Ferrara by a
certain clown dressed in the scanty guise of the shepherd Paris, who
proffered her the apple of beauty with the mean-souled flattery that
since beholding her he had been forced to alter his old-time judgment
in favour of Venus.
He lied, like the brazen, self-seeking adulator that he was, and for
which he should have been soundly whipped. Her nose was a shade too
long, her chin a shade too short to admit, even remotely, of such
comparisons. Still, that she had a certain gracious beauty, as I have
said, it is not mine to deny. There was an almost childish freshness in
her face, an almost childish innocence in her fine gray eyes, and,
above all, a golden and resplendent hair as brought to mind the tresses
of God’s angels.
That fair child—for no more than a child was she—drew a chair to my
bedside.
There she sate herself, whilst I thanked her for her concern on my
behalf, and answered that I was doing well enough, and should be abroad
again in a day or two.
“Brave lad,” she murmured, patting my hand, which lay upon the
coverlet, as though she had been my sister and I anything but a Fool,
“count me ever your friend hereafter, for what you have done for
Madonna Paola. For although it was my own family you thwarted, yet you
did so to serve one who is more to me than any family, more than any
sister could be.”
“What I did, Madonna,” I answered, “I did with the better heart since
it opened out a way that was barred me, solved me a riddle which my
Lord, your Illustrious brother, set me—one that otherwise might well
have overtaxed my wits.”
“Ah?” Her gray eyes fell on me in a swift and searching glance, a
glance that revealed to the full their matchless beauty. Care seemed of
a sudden to have aged her face. The question of her eyes needed no
translation into words.
Public-domain text, read in full here on John Shaqi.
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