Allegories; Christian fiction; Clergy -- Fiction; Ozark Mountains -- Fiction
It was full dark before they reached the Ford clearing. The faint, far
away sound of a violin, seeming strange and out of place in the gloomy
solitude of the great woods, first told them that other guests had
already arrived. Then as they drew nearer and the tones of the
instrument grew louder, they could hear the rhythmic swing and beat of
heavily shod feet upon the rough board floors, with the shrill cries of
the caller, and the half savage, half pathetic sing-song of the
backwoods dancers, singing, “Missouri Gal.”
Reaching the edge of the clearing, they involuntarily checked their
horses, stopping just within the shadow of the timber. Here the sound
of the squeaking fiddle, the shouting caller, the stamping feet, and
the swinging dancers came with full force; and, through the open door
and windows of the log house, they could see the wheeling, swaying
figures of coatless men and calico gowned women, while the light,
streaming out, opened long lanes in the dusk. About them in the
forest’s edge, standing in groups under the trees, were the shadowy
forms of saddle horses and mules, tied by their bridle reins to the
lower branches; and nearer to the cabin, two or three teams, tied to
the rail-fence, stood hitched to big wagons in which were splint-bottom
chairs for extra seats.
During the evening, the men tried in their rough, good natured way, to
joke Young Matt about taking advantage of Ollie Stewart’s absence, but
they very soon learned that, while the big fellow was ready to enter
heartily into all the fun of the occasion, he would not receive as a
jest any allusion to his relation to the girl, whom he had escorted to
the party. Sammy, too, when her big companion was not near, suffered
from the crude wit of her friends.
“Ollie Stewart don’t own me yet,” she declared with a toss of the head,
when someone threatened to write her absent lover.
“No,” replied one of her tormentors, “but you ain’t aimin’ to miss your
chance o’ goin’ t’ th’ city t’ live with them big-bugs.”
In the laugh that followed, Sammy was claimed by a tall woodsman for
the next dance, and escaped to take her place on the floor.
“Well, Ollie’ll sure make a good man for her,” remarked another joker;
“if he don’t walk th’ chalk, she can take him ’cross her knee an’
wallop him.”
“She’ll surely marry him, alright,” said the first, “’cause he’s got
th’ money, but she’s goin’ t’ have a heap o’ fun makin’ Young Matt play
th’ fool before she leaves th’ woods. He ain’t took his eyes off her
t’night. Everybody’s laughin’ at him.”
“I notice they take mighty good care t’ laugh behind his back,” flashed
little black-eyed Annie Brooke from the Cove neighborhood.
Public-domain text, read in full here on John Shaqi.
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