The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same nameHarper, Olive
General
The shoemaker : $b A powerful picture of nature, adapted from Hal Reid's famous drama of the same name
Harper, Olive
Abduction -- Fiction; Fathers and daughters -- Fiction; Shoemakers -- Fiction; West (U.S.) -- Fiction
The little fellow’s eyes sparkled as he saw the bread, which most of us
would have thrown aside as valueless, and waited with impatience for it
to be divided. The shoemaker cut it into four pieces, picking up and
eating the crumbs that broke off from the loaf as he cut it. He handed
Loney his portion. As the child ate it ravenously, he shook his head
sadly, saying:
“Yes, this is the last crumb before starvation!”
Loney had broken his bread into pieces, and as he left some of them on
the rock by his side Morris broke his bread also into pieces, and put
one piece to his lips, then took it away resolutely, and, pointing to a
tree, said:
“Is dot a pirt on dat tree ofer dere?”
The child looked in the direction of the tree, while Morris slipped the
piece of bread down beside the others on the rock.
“I don’t see any bird, Mr. Goldberg. Why don’t you eat your bread? I
thought you were hungry, too.”
Saying this, the child took the bread from the rock all unsuspecting
that it had been placed there by the shoemaker. To aid in the
deception, the old man began to chew, saying:
“Vot you vant me to do? Dere, now, see how I choke meinselluf!”
Saying this, the kind man pretended to cough, and again said:
“Look, look! I am sure it is a pirt on de tree. Oh, if de Bennie und de
Helen vere only here now!”
As the child looked again, earnestly, at the tree, Morris placed the
rest of the bread on the rock, unperceived. The boy looked in vain
for the bird, and mechanically put his hand behind him for the bread,
and never knew that the good man had sacrificed himself for the sake
of seeing the child eat the bread. Morris kept up the deception
until he saw that Loney had finished his scanty meal, and then tears
of weakness, hunger and sorrow mingled and ran, unnoticed, down his
cheeks. Loney saw them and said:
“Oh, Mr. Goldberg! why are you crying?”
“Crying? I am laughing. I’m not crying. Don’t you know de difference
between laughing und crying! Ven ve get de golt ve can hire de best
detective-policemens in de vorld, und den ve fint her right avay. It
is hart dot ve must haf money, efen to fint our children ven dey pe
lostet. If I fint a million, dot all shall be spent to fint Dora!”
“I’ll help you, Mr. Goldberg. Would you buy me something?”
“Yes; vot you vant? A naughtymobble? Or a flying-machine?”
“Oh, yes!”
“Vell, den, I puy you a naughtymobble, mit a golt horn on it und mit
three pounds of diamonds all arount it. Haf you got a toothpick, Loney.
I haf got mein supper in mein teeth, und it makes me nervous.”
“No, sir, I haven’t got one,” said Loney, ready to cry, to think that
he could not give his benefactor what he wanted. He continued:
“Nefer mind, Loney. Ve vill vait till after breakfast.”
“Do you think there will be any breakfast, Mr. Goldberg?”
Public-domain text, read in full here on John Shaqi.
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