Adventure stories; Fugitives from justice -- Fiction
I went round to make my devoirs to the lady to whom I owed the favour,
and this time I was alone.
“Where's your shoon, laddie?” said she at the first go-off. “Losh! do
ye no' ken that they're the very makin' o' ye? If it hadna been for them
Clementina Walkinshaw wad maybe never hae lookit the gait ye were on.
Ye'll be to put them on again!” She thrust forth a _bottine_ like a
doll's for size and trod upon my toes, laughing the while with
her curious suggestion of unpractised merriment at my first solemn
acceptance of her humour as earnest.
“Am I never to get quit o' thae shoes?” I cried; “the very deil maun be
in them.”
“It was the very deil,” said she, “was in them when it was your Uncle
Andrew.” And she stopped and sighed. “O Andy Greig, Andy Greig! had I
been a wise woman and ta'en a guid-hearted though throughither Mearns
man's advice--toots! laddie, I micht be a rudas auld wife by my
preachin'. Oh, gie's a sang, or I'll dee.”
And then she flew to the spinet (a handsome instrument singularly out of
keeping with the rest of the plenishing in that odd lodging in the Rue
de la Boucherie of Dunkerque), and touched a prelude and broke into an
air.
To-day they call that woman lost and wicked; I have seen it said in
books: God's pity on her! she was not bad; she was the very football of
fate, and a heart of the yellow gold. If I was warlock or otherwise had
charms, I would put back the dial two score years and wrench her from
her chains.
O waly, waly up the bank,
O waly, waly doon the brae.
And waly, waly yon burn-side,
Where I and my love wont to gae.
I leaned my back unto an aik,
I thocht it was a trusty tree,
But first it bowed and syne it brak,
Sae my true love did lichtly me.
They have their own sorrow even in script those ballad words of an
exile like herself, but to hear Miss Walkinshaw sing them was one of the
saddest things I can recall in a lifetime that has known many sorrows.
And still, though sad, not wanting in a sort of brave defiance of
calumny, a hope, and an unchanging affection. She had a voice as sweet
as a bird in the thicket at home; she had an eye full and melting; her
lips, at the sentiment, sometimes faintly broke.
I turned my head away that I might not spy upon her feeling, for here,
it was plain, was a tragedy laid bare. She stopped her song mid-way with
a laugh, dashed a hand across her eyes, and threw herself into a chair.
Public-domain text, read in full here on John Shaqi.
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