The deep blue of her eyes shone under the shadow of the extravagant lashes as she laughed. “Are you willing that I should go, father?” she said next. “Yes,” he answered. “I am willing to trust you, Betty, to do things I would not trust other girls to try at. If you were not my girl at all, if you were a man on Wall Street, I should know you would be pretty safe to come out a little more than even in any venture you made. You know how to keep cool.” Bettina picked up her fallen cloak and laid it over her arm. It was made of billowy frills of Malines lace, such as only Vanderpoels could buy. She looked down at the amazing thing and touched up the frills with her fingers as she whimsically smiled. “There are a good many girls who can be trusted to do things in these days,” she said. “Women have found out so much. Perhaps it is because the heroines of novels have informed them. Heroines and heroes always bring in the new fashions in character. I believe it is years since a heroine 'burst into a flood of tears.' It has been discovered, really, that nothing is to be gained by it. Whatsoever I find at Stornham Court, I shall neither weep nor be helpless. There is the Atlantic cable, you know. Perhaps that is one of the reasons why heroines have changed. When they could not escape from their persecutors except in a stage coach, and could not send telegrams, they were more or less in everyone's hands. It is different now. Thank you, father, you are very good to believe in me.” CHAPTER VII ON BOARD THE “MERIDIANA” A large transatlantic steamer lying at the wharf on a brilliant, sunny morning just before its departure is an interesting and suggestive object to those who are fond of following suggestion to its end. One sometimes wonders if it is possible that the excitement in the dock atmosphere could ever become a thing to which one was sufficiently accustomed to be able to regard it as among things commonplace. The rumbling and rattling of waggons and carts, the loading and unloading of boxes and bales, the people who are late, and the people who are early, the faces which are excited, and the faces which are sad, the trunks and bales, and cranes which creak and groan, the shouts and cries, the hurry and confusion of movement, notwithstanding that every day has seen them all for years, have a sort of perennial interest to the looker-on.