The Silent Watchers: England's Navy during the Great War: What It Is, and What We Owe to ItCopplestone, Bennet
History
The Silent Watchers: England's Navy during the Great War: What It Is, and What We Owe to It
Copplestone, Bennet
Great Britain. Royal Navy; World War, 1914-1918 -- Naval operations
Let us now shift the scene to the compass platform or Monkey’s Island of
one of the great new oil-fired battleships of the Fifth Battle Squadron,
one of the five ships known as Queen Elizabeths—all added to the Navy
since the war began and all members of the most powerful and fastest
squadron of battleships upon the seas of the world. They have a speed of
twenty-five knots, carry eight 15-inch guns in four turrets arranged on
the middle line, and have upon each side a battery of six 6-inch guns in
casemates for dealing faithfully and expeditiously with enemy destroyers
who may seek to rush in with the torpedo. As our ship passes out into
the night, the port and starboard 6-inch batteries are fully manned and
loaded, and up on the compass platform, in control of these batteries,
are two young officers—a subaltern of Marines and a naval
sub-lieutenant—to each of whom is allotted one of the batteries. One
has charge of the port side, the other of the starboard. I have called
the Navy a young man’s service, and here we see a practical example; for
beneath us is the last word in super-battleships dependent for
protection against sudden torpedo attack upon the bright eyes and cool
trained brains of two youngsters counting not more than forty years
between them. I will resume my description and put it in the mouth of
one of these youthful control officers—the Marine subaltern who a year
before had been a boy at school:
“Going to the gun room I warn the Sub, my trusted friend and fellow
control officer on the starboard side, and depart to my cabin, where I
dress as for a motor run on a cold day. I have a great Canadian fur cap
and gorgeous gloves which defeat the damp and cold even of the North
Sea. As I stand on the quarter deck for a moment’s glance at the sunset,
which I cannot hope to describe, there comes a sound, a sort of hollow
metallic clap and a flicker of flame. They are testing electric circuits
in the 6-inch battery, and No. 5 gun port has fired a tube. These sounds
recur at short intervals from both sides for a couple of minutes. Then
the gun layers are satisfied and stop. I go along the upper deck above
the battery—which is in casemates between decks—and reach the pagoda,
and then pass up, up, through a little steel door, above the signal
bridge and the searchlights to the airy, roomy Monkey’s Island with the
foremast in the middle of the floor, holding the spotting top—usually
known as the topping spot, an inversion which ironically describes its
exposed position in action—poised above our heads. There is a little
charthouse forward of the mast on its raised date of the compass
platform proper, where the High Priest busies himself between his two
altars, the old and the new.
* * * * *
Public-domain text, read in full here on John Shaqi.
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