The Silver Domino; Or, Side Whispers, Social and LiteraryCorelli, Marie
General
The Silver Domino; Or, Side Whispers, Social and Literary
Corelli, Marie
English essays -- 19th century; Literature -- Criticism and interpretation; Satire
There was once a time, however (when the Elephant was younger), in
which it seemed doubtful whether he would remain an Elephant. A
strange spell was upon him, a wizard-glow of the light that blinds
reviewers--Genius. He stood on the confines of a sort of magic
territory, wagging his delicate Trunk wistfully, and taking inquiring
sniffs at the world. He was then like one of those deeply interesting
animals we read about in the dear old fairy-books; he was waiting for
the proper person to come and cut off his head, or throw water over
him, or something, and say--"Quit thy present form and take that of
a ----" What? Well, let us say "Poet," for example. Yes, that would
have probably been the correct formula--"Quit thy present form and
take that of a Poet." And then, hey presto! he would have skipped out
of his hide, all dressed in dazzling blue and silver, a very Prince
of wit and wisdom. But the magician who could or might have worked
this change in him didn't turn up at the right moment, and so no one
would believe he was anything _but_ an Elephant at last. And when he
found that this was people's fixed opinion, and that nobody could be
persuaded to think otherwise, he showed a few very ugly humours. He
broke into the newspaper shops and went rampaging round among the pens
and the ink-pots. He knocked down a few unwary authors whom he imagined
stood in his way, and when they _were_ down, he stamped upon them.
This was not nice of him. But he ought to have known, if he had been
as wise as elephants are supposed to be, that authors, unless they
are very frail indeed, take a deal of killing before being killed.
And he might have foreseen the possibility of those trampled people
getting up and revenging themselves whenever they had the chance. His
"perfect" work was the very thing they had waited for ever so long.
And they did not spare the Elephant. Not they! They remembered the
weight of his feet on themselves, and not being able to tread on him
because he was so large and heavy and obstinate, they stuck things into
him instead. The "barbëd arrow," you know, that kind of disagreeable
small weapon that goes in deep and rankles. A whole shower of such
irritating little darts went into the Elephant--just in the delicate
fleshy places between the folds of his hide--and it was an amazing
sight to see how badly he took them. Never was such a roaring and
trumpeting heard before! In the unreasoning heat of rage he quite
forgot how matters really stood, and that he was only getting the _quid
pro quo_ he actually deserved. He never gave a thought to the authors
he had mangled and left for dead, and who had not been allowed to make
any outcry on the subject of their wounds. He had no recollection of
that Scriptural anecdote which tells how the "dry bones" came together
"bone by bone," and became a "great standing army." _His_ "dry bones"
were the poor poets and novelists he had stamped upon; indeed, not only
Public-domain text, read in full here on John Shaqi.
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