Authors -- Fiction; Canadian fiction; Impostors and imposture -- Fiction; New York (N.Y.) -- Social life and customs -- Fiction
It was a novel experience for both of them, in a way, and both of them
were wringing out of it their own secret enjoyment--one retrospective,
one anticipatory. Cordelia, once openly wedded to the idea, fluttered
about the apartment as proudly as an April robin building a nest. The
lighter touches were not overlooked; a desk was not forgotten, nor were
prints and books and those many little things which were reputed to
appeal to the student. Mrs. Spaulding, indeed, had given Cordelia an
open order on her furniture dealer, and the fruits of her shopping tours
had added much to the solid comfort of the place. She herself
contributed a silver chafing-dish and a little set of Dresden china,
matching her own, which had taken her fancy.
Then, when everything had been made comfortable and home-like, even to
the addition of many clusters of carnations and roses about the rooms, a
change suddenly came over Cordelia. An unaccountable mood of bashfulness
took possession of her, a fear as to just how the intended and all
unconscious guest would accept such boldly proffered hospitality, a
haunting dread that perhaps he would refuse everything, and fail to
understand the balm which she had so artfully made ready to take the
sting from the gratuity--that he might leave her humiliated and
misunderstood.
At the last moment she disappeared, and hid with a sort of bird-like
timidity; and it was Mrs. Spaulding who had to take the somewhat
astounded Hartley by the hand and lead him from one room to the other
and introduce him to what she prettily called his new home.
Hartley took it all much more genially than they had expected. There was
no scene, and but a moment's remonstrance and hesitation. It is true
that at first he flushed hotly, and would have said something, but the
eager light on Mrs. Spaulding's face kept him silent while he listened
to her half-laughing explanation of how a useless flat had fallen into
their hands.
"And it's so ridiculously cheap--only sixty dollars a month!"
Something in Hartley's face, a fleeting shadow of embarrassment, made
her ask quickly: "That--that wouldn't be too much for you to pay?"
"Oh, no; of course not," he said, with ill-assumed indifference.
"Then you're not going to be stupid about it?" she demanded, with mock
sternness. He was still standing ill at ease, scarcely knowing what to
say.
"Oh, no, no; but still I don't quite understand why you should do this
for me."
"There's nothing very puzzling about it. We both know very well it
wasn't any too comfortable--was it?--down where you've been living. And
artists have to have the right kind of place to work in. So we're simply
going to chain you down, and _make_ you stay."
She looked at him with a smile he had seldom seen on her lips. Her face
that afternoon seemed sadly golden with the afterglow of an almost
girlish tenderness that had long dropped beyond the horizon of the
years, dignified with a light that seldom dwelt on it.
Public-domain text, read in full here on John Shaqi.
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