The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone LeoniSand, George
General
The Sin of Monsieur Antoine, Volume 2 (of 2) and Leone Leoni
Sand, George
French fiction -- 19th century
It very rarely happened that Monsieur de Boisguilbault ventured to make
such a rash sortie from the park, and he could not make up his mind to
follow the beaten roads lest he should fall in with some face with which
he was not familiar. So he walked as the crow flies, through the fields,
without, however, losing sight of the road on which Emile was likely to
be. He walked slowly, at a pace which might have been characterized as
uncertain, but which the prudence and circumspection which marked his
most trivial movements made firmer than it appeared.
As he approached an arm of the stream which, after leaving his park,
followed a winding course through the valley, he heard an axe, and the
sound of several voices attracted his attention. It was his custom
always to turn away from any sound which indicated the presence of man,
and to make a détour to avoid meeting anybody, but he had something on
his mind which led him at this time to adopt the contrary course. He had
a passion for trees, if we may so express it, and did not allow his
tenants to cut any down unless they were entirely dead. Therefore, the
sound of an axe made him prick up his ears, and he could not resist the
desire to go and see with his own eyes if his orders were disobeyed.
So he walked resolutely into the field where the men were at work, and
saw, with a feeling of childlike grief, some thirty or more superb
trees, all covered with foliage, lying at full length on the ground, and
already partly cut up. A farmer, assisted by his men, was at work
loading several huge logs on an ox-cart. The axe which was being plied
so energetically, awaking all the echoes of the valley, was in the
diligent hands of Jean Jappeloup!
Monsieur de Boisguilbault had not exaggerated when he previously told
Emile, in glacial tones, that he was very irascible. That was another of
the anomalous features of his character. At sight of the carpenter,
whose face, or whose name even, always affected him painfully, he turned
pale; then, as he saw him cutting in pieces his fine trees, still young
and perfectly sound, he trembled with anger, flushed scarlet, stammered
some incoherent words, and rushed at him with an impetuosity of which no
one would have deemed him capable who had seen him a moment before,
walking with measured steps, leaning on his stout cane, with its
well-turned head.
XXIX
AN ADVENTURE
Public-domain text, read in full here on John Shaqi.
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