Detective and mystery stories; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction
"By the way—" Beecher began, and then suddenly looked at Mrs. Kildair
interrogatively. Then, receiving permission, he continued: "You know
who returned that night?"
Slade nodded.
"Yourself, Mrs. Cheever, Garraboy, and Miss Charters."
"Miss Charters?" said Beecher, turning in amazement to Mrs. Kildair.
She nodded, with a little frown.
"As I told Mrs. Kildair," said Slade, not noticing that Beecher,
overwhelmed by this discovery, did not hear him, "I do not believe for a
moment that the thief would return. Any one who had the daring to seize
the ring the second time had the daring to carry off the ring; in fact,
had some such plan in mind. Whoever came back may have come back out of
sympathy, or with the idea that the ring was still in the studio—in
which case, we have a third manifestation of instinct."
They had passed into the studio again. Slade spoke with all his old
decision, the energy of action replacing the bitterness of his former
meditative mood. He glanced at the clock, and took his leave in a
quick, impersonal manner. Beecher, ignoring the looks Mrs. Kildair sent
him, departed with Slade, refusing an invitation to join him in the
automobile, and continuing on foot.
He was absolutely at a loss to account for Miss Charters’ returning to
the studio after having gone to her apartment. If she had any
suggestion to offer, why had she not waited, or even requested him to
return with her? Why, in fact, could she not have waited until the
following day—instead of risking the journey at such an hour?
Full of disturbing surmises, he continued his walk until he reached the
great thoroughfare of Forty-second Street, where he turned eastward
toward the station, oblivious to the excitement in the street, the
break-neck arrival of the newspaper wagons and the sudden, shrill
scattering of urchins, extras in hand.
All at once, at the western corner of the station, he raised his eyes
instinctively. A coupé with trunks behind it disengaged itself from the
confusion of traffic and, turning, slowly passed him. Inside, he
recognized the dark, defiant eyes of Mrs. Enos Bloodgood.
In a moment he guessed the full significance of her presence: she had
come to meet Majendie, to burn all bridges behind her, in the supreme
sacrifice of everything for the possession of a happiness she had never
known.
The next instant he was gazing horror-stricken at the head-lines of an
extra that a newsboy flung in his face:
SUICIDE OF BERNARD L. MAJENDIE
He became perfectly collected, clear in mind and instinctive in action,
with the decision he had felt in the last charges of a wounded elephant.
If Mrs. Bloodgood were here, it was because she expected to meet
Majendie; because she was ignorant of the tragedy that had taken place.
Retracing his steps, he arrived at the carriage the moment Mrs.
Bloodgood’s hand had thrown open the door.
Public-domain text, read in full here on John Shaqi.
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