Science fiction; Space ships -- Fiction; Space warfare -- Fiction
Six mighty rotating currents of electricity impinged simultaneously
upon the spherical hull of _Skylark Two_ and she disappeared utterly.
No exit had been opened and the walls remained solid, but where the
forty-foot globe of arenak had rested in her cradle an instant before
there was nothing. Pushed against by six balancing and gigantic
forces, twisted cruelly by six couples of angular force of unthinkable
magnitude, the immensely strong arenak shell of the vessel had held
and, following the path of least resistance--the only path in which
she could escape from those irresistible forces--she had shot out of
space as we know it and into the impossible reality of that hyperspace
which Seaton's vast mathematical knowledge had enabled him so dimly to
perceive.
As those forces smote his vessel, Seaton felt himself compressed. He
was being driven together irresistibly in all three dimensions, and
in those dimensions and at the same time he was as irresistibly being
twisted--was being corkscrewed in a monstrously obscure fashion which
permitted him neither to move from his place nor to remain in it. He
hung poised there for interminable hours, even though he knew that the
time required for that current to build up to its inconceivable value
was to be measured only in fractional millionths of a single second.
Yet he waited strainingly while that force increased at an all but
imperceptible rate, until at last the vessel and all its contents were
squeezed out of space, in a manner somewhat comparable to that in which
an orange pip is forced out from between pressing thumb and resisting
finger.
At the same time Seaton felt a painless, but unutterably horrible,
transformation of his entire body--a rearrangement, a writhing,
crawling distortion; a hideously revolting and incomprehensibly
impossible extrusion of his bodily substance as every molecule, every
atom, every ultimate particle of his physical structure was compelled
to extend itself into that unknown new dimension.
He could not move his eyes, yet he saw every detail of the grotesquely
altered space ship. His Earthly mentality could not understand anything
he saw, yet to his transformed brain everything was as usual and quite
in order. Thus the four-dimensional physique that was Richard Seaton
perceived, recognized, and admired as of yore his beloved Dorothy, in
spite of the fact that her normally solid body was now quite plainly
nothing but a three-dimensional surface, solid only in that logically
impossible new dimension which his now four-dimensional brain accepted
as a matter of course, but which his thinking mentality could neither
really perceive nor even dimly comprehend.
He could not move a muscle, yet in some obscure and impossible way
he leaped toward his wife. Immobile though tongue and jaws were, yet
he spoke to her reassuringly, remonstratingly, as he gathered up her
trembling form and silenced her hysterical outbursts.
Public-domain text, read in full here on John Shaqi.
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