The Slayer of SoulsChambers, Robert W. (Robert William)
Science
The Slayer of Souls
Chambers, Robert W. (Robert William)
Conspiracies -- Fiction; Fantasy fiction; Magic -- Fiction
He edged closer; and became conscious of an indefinable freshness in
the air that enveloped him, like the scent of something young and
growing. But it was no magic odour,—merely the virginal scent of her
hair and skin that even clung to her summer gown.
He heard her singing under her breath to herself:
“La-ē-la!
La-ē-la!”
and murmuring caressingly in an unknown tongue.
Then, suddenly in the pale sunshine, scores of little birds came
hovering around them, alighting all over them. And he saw them swarming
out of the mossy festoons of the water-oaks—scores and scores of tiny
birds—Parula warblers, mostly—all flitting fearlessly down to alight
upon his shoulders and knees, all keeping up their sweet, dreamy little
twittering sound.
“This is wonderful,” he whispered.
The girl laughed, took several birds on her forefinger.
“This is nothing,” she said. “If I only dared—wait a moment!—--” And,
to the Parula warblers:
“Go home, little friends of God!”
The air was filled with the musical whisper of wings. She passed her
right arm around her husband’s neck.
“Look at the river,” she said.
“Good God!” he blurted out. And sat dumb.
For, over the St. John’s misty surface, there was the span of a
bridge—a strange, marble bridge humped up high in the centre.
And over it were passing thousands of people—he could make them out
vaguely—see them passing in two never-ending streams—tinted shapes on
the marble bridge.
And now, on the farther shore of the river, he was aware of a city—a
vast one, with spectral pagoda shapes against the sky——
Her arm tightened around his neck.
He saw boats on the river—like the grotesque shapes that decorate
ancient lacquer.
She rested her face lightly against his cheek.
In his ears was a far confusion of voices—the stir and movement of
multitudes—noises on ships, boatmen’s cries, the creak of oars.
Then, far and sonorous, quavering across the water from the city, the
din of a temple gong.
There were bells, too—very sweet and silvery—camel bells, bells from
the Buddhist temples.
He strained his eyes, and thought, amid the pagodas, that there were
minarets, also.
Suddenly, clear and ringing came the distant muezzin’s cry: “There is
no other god but God!... It is noon. Mussulmans, pray!”
The girl’s arm slipped from his neck and she shuddered and pushed him
from her.
There was nothing, now, on the river or beyond it but the curtain of
hanging mist; no sound except the cry of a gull, sharp and querulous in
the vapours overhead.
“Have—have you been amused?” she asked.
“What did you do to me!” he demanded harshly.
She smiled and drew a light breath like a sigh.
“God knows what we living do to one another,—or to ourselves,” she
said. “I only tried to amuse you—after taking counsel with the birds.”
“What was that bridge I saw!”
“The Bridge of Ten Thousand Felicities.”
“And the city?”
“Yian.”
“You lived there?”
“Yes.”
Public-domain text, read in full here on John Shaqi.
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