The Social Significance of the Modern DramaGoldman, Emma
History
The Social Significance of the Modern Drama
Goldman, Emma
Drama -- Social aspects; European drama -- History and criticism
_Luise._ You an' your piety an' religion--did they serve to keep the
life in my poor children? In rags an' dirt they lay, all the
four--it didn't as much as keep 'em dry. Yes! I sets up to be a
mother, that's what I do--an' if you'd like to know it, that's why
I'd send all the manufacturers to hell--because I am a mother!--Not
one of the four could I keep in life! It was cryin' more than
breathin' with me from the time each poor little thing came into the
world till death took pity on it. The devil a bit you cared! You sat
there prayin' and singin', and let me run about till my feet bled,
tryin' to get one little drop o' skim milk. How many hundred nights
has I lain an' racked my head to think what I could do to cheat the
churchyard of my little one? What harm has a baby like that done
that it must come to such a miserable end--eh? An' over there at
Dittrich's they're bathed in wine an' washed in milk. No! you may
talk as you like, but if they begins here, ten horses won't hold me
back. An' what's more--if there's a rush on Dittrich's, you will see
me in the forefront of it--an' pity the man as tries to prevent
me--I've stood it long enough, so now you know it.
Thus the tide sweeps over _Old Hilse_, as it must sweep over every
obstacle, every hindrance, once labor awakens to the consciousness of
its solidaric power.
An epic of misery and revolt never before painted with such terrific
force, such inclusive artistry. Hence its wide human appeal, its
incontrovertible indictment and its ultra-revolutionary significance,
not merely to Silesia or Germany, but to our whole pseudo-civilization
built on the misery and exploitation of the wealth producers, of Labor.
None greater, none more universal than this stirring, all-embracing
message of the most humanly creative genius of our time--Gerhart
Hauptmann.
THE SUNKEN BELL
The great versatility of Gerhart Hauptmann is perhaps nowhere so
apparent as in "The Sunken Bell," the poetic fairy tale of the tragedy
of Man, a tragedy as rich in symbolism as it is realistically true--a
tragedy as old as mankind, as elemental as man's ceaseless struggle to
cut loose from the rock of ages.
_Heinrich_, the master bell founder, is an idealist consumed by the fire
of a great purpose. He has already set a hundred bells ringing in a
hundred different towns, all singing his praises. But his restless
spirit is not appeased. Ever it soars to loftier heights, always
yearning to reach the sun.
Now once more he has tried his powers, and the new bell, the great
Master Bell, is raised aloft,--only to sink into the mere, carrying its
maker with it.
His old ideals are broken, and _Heinrich_ is lost in the wilderness of
life.
Public-domain text, read in full here on John Shaqi.
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