The soldier's orphansStephens, Ann S. (Ann Sophia)
General
The soldier's orphans
Stephens, Ann S. (Ann Sophia)
American fiction -- 19th century
“Thank you very much! Grandmother is well, and happier than any of us.
She is so good that even grief seems to make her more and more gentle. I
never heard her complain in my life.”
“Still, this must have been a terrible blow.”
“It was! it was! But she yields—bends; resists nothing that God sees fit
to inflict.”
“And you?”
His voice was full of tender compassion. His eyes brought tears into
hers.
“I cannot be so good, my heart will ache; my very breath is sometimes
painful! Oh, sir! you cannot tell how I loved my father!”
“He must have been a superior man,” said Savage, gently; “a very
superior man, to have brought up a family so well, under what seems to
me great difficulties.”
“He was a——”
Anna broke down here—tears drowned her voice.
“Forgive me! I am cruel to wound you so; but it is not meant unkindly,”
said Savage.
“I know—I know!” faltered Anna, behind her veil; “but you cannot think
how noble he was—what beautiful talent he had. I think Joseph takes
after him; he begins to draw pictures even now.”
“Was your father an artist, then?”
“Yes; a designer on wood. He was just beginning to make himself known.
But he could do many things beside that. We all loved him so—and now he
is dead!”
Anna drew her veil close, and, for a time, the young pair walked on in
silence, unconscious of the course they were taking. They were aroused
by a carriage dashing past, in which a lady sat alone. She leaned
forward, revealing an eager face, surmounted by a bonnet of lilac
velvet, with masses of pink roses under the narrow front. The horses
moved so rapidly that Savage scarcely recognized the face of Miss Eliza
Halstead as she swept by; but Anna saw it clearly, and shrunk within
herself.
Miss Halstead had recognized Savage with a killing smile on her lips;
but when she saw his companion, the smile withered into a sneer, and she
seized the checkstring in fierce haste.
“Drive round the block again, fast at first, then slower,” she said.
The man obeyed, and dashing round the block, came upon the young couple
again at a slower pace. Now Miss Eliza leaned out, kissed her hand to
Savage, and searched Anna’s face through the veil that shaded it with
her vicious eyes.
“I thought so—I thought so!” she muttered, biting the fingers of her
canary-colored gloves till the delicate kid was torn by her teeth. “It’s
that creature, not Georgiana, who stands in my way. Oh! I have made a
discovery! It’s her! It’s the same girl that I saw at the fair. Some
poor seamstress or sewing-machine operator, or I’m dreadfully mistaken.”
The carriage moved slowly on as Eliza registered these convictions in
her mind; and before it was out of sight, Savage had forgotten its
existence, so deeply was he interested in the conversation of the young
girl who walked so modestly by his side—so completely did the feelings
of the moment carry him away.
Public-domain text, read in full here on John Shaqi.
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