The Son of Clemenceau, A Novel of Modern Love and LifeDumas, Alexandre
General
The Son of Clemenceau, A Novel of Modern Love and Life
Dumas, Alexandre
Fiction
The farmhouse was a large stone and brick structure, moss-grown but firm
as a castle; at its porch, three men had tranquilly awaited the result
of the conflict; most of the episodes had been observed by them. Two
were comfortably clothed like farmer and overseer, and showed a
respectful bearing to the third. This was a man of about thirty years,
but looking younger, tall, slender, elegant and proud. Not yet calm,
Clemenceau vaguely recalled the refined, winning, though dissipated
visage; this was the gentleman in the Harmonista who had enlightened him
unawares on the antecedents of Fraulein von Vieradlers. He did not
notice her companion but his stiffness disappeared as he bowed to her.
Without asking for any explanation on the affray, he said to her:
"Can he--your companion--ride? The horses are under saddle. If not--"
Clemenceau replied in the affirmative to Fraulein von Vieradlers,
instead of to the gentleman. He conceived an aversion to him on the
spot, although his intention to include him in the pre-arranged flight
was manifest. But he was the victim of circumstances and for the present
he had to yield. Besides, the prospect held out was for him to continue
beside the dazzling beauty, whose influence seemed more wide than her
deceased ancestress.
Like many bookworms, he had entertained a humiliating opinion of the
sex that makes the world move round; he was beginning to doubt, and he
would retract it before long.
Kaiserina related the events briefly, while one of the farmers brought
two magnificent saddle-horses round to the long, high side of the house,
facing the northwest. Clemenceau mechanically mounted the bay, and the
gentleman assisted the lady upon the black. Both animals were impatient
to be gone, and when given the head, started off madly. This exciting
pace roused the student from his lethargy, and when the steeds had
settled down to a less frenzied gait, he asked what was his guide's
intention.
"It is plain. You must be put across the border into France."
"France!" it seemed to him, since the revelation of his birth in that
country, that the name had a charm unknown heretofore. Yes, he ought to
make a pilgrimage into that sunny land where his father had been a gem
in its artistic crown.
"It is your native country and you will be safer there than in Italy or
Austria. Our next stage will be the little railway station to which you
may see that long double silver serpent, the metal tracks, stretching
across the plain."
CHAPTER IX.
REPARATION.
Public-domain text, read in full here on John Shaqi.
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