Like Othello, Clemenceau swore that this demon of lasciviousness should betray no more men. The force of depravity should no farther flow to corrupt the finest and best. He entered the boudoir of the royal favorite and stabbed her to the heart. In the morning, he gave himself up to the police. The victim was so notorious that the Clemenceau trial was a nine days' wonder. His advocate was eloquent to a fault, but that inexplicable thing, the jury, found no extenuating circumstances in the act and brought in the verdict of murder. The good men were incapable of appreciating the right he claimed to stop the blighting career of Messalina--to divorce with steel where the state of the law, then meekly following the ecclesiastical ruling, forbade any sundering of the connubial tie except by death. He met his doom calmly and laid his head beneath the axe with a martyr's brow. Kaiserina acknowledged this. Felix Clemenceau understood everything now. The trustees to whom he owed his subsistence-money, M. Rollinet the imperial counsel, and M. Constantin Ritz, a famous sculptor's son, and the life-companion of Clemenceau, were characters in the momentous drama which Kaiserina recited, whom he knew by correspondence. The finger of fate, which had urged the artist to commit a homicide for morality's sake, had pointed out to his son the way which had to be followed over corpses of the young student's slaying. Brooding over the alteration in his future, he exchanged hardly a word with his cousin, during the prolonged journey, which they continued together, as though mutual reluctance to part bound them indissolubly. Logic said there should be a powerful repugnance between those whom the shadow of the guillotine's red arm clouded. But, spite of all, Felix felt that Kaiserina was, like himself, well within the circle of infamy. Her mother was the sister of the shameful Iza, and her husband's careful guard of her proved that he doubted her walking virtuously if her unscrupulous mother stood by her side. This old Megara--who sold her offspring to worse than death--was living--seemed eternal as evil itself. It were a pious act to save Kaiserina from her as his father had tried to do with Iza. He was pleased that she seemed inclined to cling to him as though wearied of the erratic life she seemed to have led after a flight from her mother's, and which she did not describe minutely. He was also grateful that, in her allusions to his father, she did not speak with the bitterness of a blood-avenger. They made the journey to Paris without any stoppage. He had to visit M. Ritz, for M. Rollinet was no longer there, having accepted a judgeship in Algeria. In the vehicle, carrying to a hotel where he purposed leaving her, Felix said, feelingly: "I think I see why we were brought together. I am not to lead the life of an artist, lounging in galleries, sketching ruins and pretty girls, but one of expiation for my poor father's crime."